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  1. Roger Fry's 'difficult and uncertain science'
    the interpretation of aesthetic perception
    Autor*in: Rubin, Adrianne
    Erschienen: [2013]
    Verlag:  Peter Lang, Oxford

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034307918; 9783035304305
    Schriftenreihe: Cultural interactions ; v. 28
    Schlagworte: Ästhetik; Aesthetics; Ästhetik
    Weitere Schlagworte: Fry, Roger (1866-1934); Fry, Roger Eliot (1866-1934)
    Umfang: xii, 275 p.
    Bemerkung(en):

    Includes bibliographical references (p. 239-253) and index

    The centrality of sensation: 1891-1905 -- Emotion articulated through form: 1906-1909 -- The perception of significant form: 1910-1915 -- Unity and necessity: 1917-1934 -- Fry's legacy
  2. Roger Fry's 'Difficult and Uncertain Science'
    The Interpretation of Aesthetic Perception
    Autor*in: Rubin, Adrianne
    Erschienen: 2013
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035304305
    Weitere Identifier:
    9783035304305
    RVK Klassifikation: HM 2735 ; LH 61060
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Ästhetik
    Weitere Schlagworte: Fry, Roger Eliot (1866-1934)
    Umfang: 1 Online-Ressource (287 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Through close analysis of his writings, the author examines the role that emerging psychological theories played in the formulation and expression of Fry's aesthetic theories. She also discusses aspects of physiological psychology, Gestalt theory, psychoanalysis and adaptive psychology, arguing that detailed analyses of aesthetic perception comprise the core of Fry's writings. Though he has rarely been credited with this goal, this volume shows that Fry sought to make art accessible to a wide audience and that highlighting the universal aspects of aesthetic perception was a means to this end. The book offers a chronological study of select essays and lectures, both published and unpublished, written by Roger Fry between the 1890s and his death in 1934. Where relevant his writings are juxtaposed with those of other art critics and theorists to identify factors that shaped his thinking and his use of terminology and to clarify the critical context in which he was working. Since Fry's work as a visual artist ran alongside his critical thinking, some attention is given to his paintings as a method of illustrating his practical experimentation with aesthetic principles, particularly formalist concepts
  3. Roger Fry’s ‘Difficult and Uncertain Science’
    The Interpretation of Aesthetic Perception
    Autor*in: Rubin, Adrianne
    Erschienen: 2013
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Oxford

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Roger Fry’s ‘Difficult and Uncertain Science’
    Autor*in: Rubin, Adrianne
    Erschienen: 2013
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Through close analysis of his writings, the... mehr

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    Universitätsbibliothek Gießen
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    This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Through close analysis of his writings, the author examines the role that emerging psychological theories played in the formulation and expression of Fry’s aesthetic theories. She also discusses aspects of physiological psychology, Gestalt theory, psychoanalysis and adaptive psychology, arguing that detailed analyses of aesthetic perception comprise the core of Fry’s writings. Though he has rarely been credited with this goal, this volume shows that Fry sought to make art accessible to a wide audience and that highlighting the universal aspects of aesthetic perception was a means to this end. The book offers a chronological study of select essays and lectures, both published and unpublished, written by Roger Fry between the 1890s and his death in 1934. Where relevant his writings are juxtaposed with those of other art critics and theorists to identify factors that shaped his thinking and his use of terminology and to clarify the critical context in which he was working. Since Fry’s work as a visual artist ran alongside his critical thinking, some attention is given to his paintings as a method of illustrating his practical experimentation with aesthetic principles, particularly formalist concepts.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035304305
    Weitere Identifier:
    RVK Klassifikation: LH 63280
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Cultural Interactions: Studies in the Relationship between the Arts ; 28
    Schlagworte: Ästhetik
    Weitere Schlagworte: Fry, Roger Eliot (1866-1934)
    Umfang: 1 Online-Ressource