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  1. The art of the pose
    Oscar Wilde's performance theory
    Autor*in: Marcovitch, Heather
    Erschienen: 2010
    Verlag:  Peter Lang, Bern

  2. The Art of the Pose
    Oscar Wilde's Performance Theory
    Autor*in: Marcovitch, Heather
    Erschienen: 2011
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035101102
    Weitere Identifier:
    9783035101102
    RVK Klassifikation: HL 4865
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Performativität <Kulturwissenschaften>; Theatertheorie; Selbst <Motiv>
    Weitere Schlagworte: Wilde, Oscar (1854-1900)
    Umfang: 1 Online-Ressource (222 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde's often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster
  3. <<The>> art of the pose
    Oscar Wilde's performance theory
    Autor*in: Marcovitch, Heather
    Erschienen: 2010
    Verlag:  Peter Lang, Bern

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035101102; 3035101108; 3034304390; 9783034304399
    Schlagworte: Self-presentation in literature; Self in literature; Identity (Philosophical concept) in literature; Persona (Psychoanalysis); Image (Philosophy); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Aesthetics / (OCoLC)fst00798702; Identity (Philosophical concept) in literature / (OCoLC)fst00966891; Image (Philosophy) / (OCoLC)fst00967475; Performing arts / (OCoLC)fst01057887; Persona (Psychoanalysis) / (OCoLC)fst01058562; Philosophy / (OCoLC)fst01060777; Self in literature / (OCoLC)fst01111462; Self-presentation in literature / (OCoLC)fst01111879
    Weitere Schlagworte: Wilde, Oscar / 1854-1900 / Criticism and interpretation; Wilde, Oscar / 1854-1900 / Knowledge / Performing arts; Wilde, Oscar / 1854-1900 / Aesthetics; Wilde, Oscar / 1854-1900 / Philosophy; Wilde, Oscar / 1854-1900 / Criticism and interpretation / Knowledge / Performing arts / Aesthetics / Philosophy; Wilde, Oscar / 1854-1900 / (OCoLC)fst00033910
    Umfang: 1 online resource (222 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 213-222)

    Introduction. Oscar Wilde and performance theory -- Foundations and experiments: Oscar Wilde at Oxford -- Celebrity, caricatures and public performances in the 1880s -- Wilde's performance theory and the critical essays -- Decadent anxiety and negative capabilities: The picture of Dorian Gray and Salome -- The dialectic of persona and stereotypes in the society comedies -- Performance as redemption in De profundis and The ballad of reading Gaol
  4. The Art of the Pose
    Oscar Wilde’s Performance Theory
    Autor*in: Marcovitch, Heather
    Erschienen: 2011
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. The Art of the Pose
    Autor*in: Marcovitch, Heather
    Erschienen: 2011
    Verlag:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    This book revisits Oscar Wilde’s major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a rich theory of performance that addresses aesthetics, ethics, identity and individualism. This book also traces Wilde’s often-troubled relationship with late-Victorian society in terms of its attempts to define his public performances by stereotyping him as both irrelevant and dangerous, from the early newspaper caricatures to its later description of him as a sexual monster.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783035101102
    Weitere Identifier:
    RVK Klassifikation: HL 4865
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schlagworte: Selbst <Motiv>; Performativität <Kulturwissenschaften>; Theatertheorie
    Weitere Schlagworte: Wilde, Oscar (1854-1900)
    Umfang: 1 Online-Ressource
  6. The art of the pose
    Oscar Wilde's performance theory
    Autor*in: Marcovitch, Heather
    Erschienen: 2010
    Verlag:  Peter Lang, Bern

    Includes bibliographical references (p. 213-222) This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Includes bibliographical references (p. 213-222) This book revisits Oscar Wilde's major writings through the field of performance studies. Wilde wrote about performance as a cultural dialectic, as a form of serious and critical play, and as the basis of a subversive poetics. In his studies at Oxford University, his famous lecture tour of the United States and Canada, his friendships with famous actresses Sarah Bernhardt and Lillie Langtry, the writing of his critical essays, The Picture of Dorian Gray, Salome, and his society comedies, and culminating in his post-prison writings De Profundis and The Ballad of Reading Gaol, Wilde develops a r

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034304399; 9783035101102
    Umfang: 222 p
    Bemerkung(en):

    Description based upon print version of record

    Available via World Wide Web

    Table of Contents; Acknowledgements 7; Introduction Oscar Wilde and Performance Theory 9; Chapter One Foundations and Experiments: Oscar Wilde at Oxford 23; Chapter Two Celebrity, Caricatures and Public Performances in the 1880s 51; Chapter Three Wilde's Performance Theory and the Critical Essays 91; Chapter Four Decadent Anxiety and Negative Capabilities: The Picture of Dorian Gray and Salome 119; Chapter Five The Dialectic of Persona and Stereotypes in the Society Comedies 151; Chapter Six Performance as Redemption in De Profundis and The Ballad of Reading Gaol 185; Bibliography 213