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  1. Queering memory and national identity in transcultural U.S. literature and culture
    Autor*in: Clark, Christopher W.
    Erschienen: [2020]; © 2020
    Verlag:  palgrave macmillan, Cham, Switzerland

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783030521134
    Weitere Identifier:
    9783030521134
    Schriftenreihe: American literature readings in the 21st century
    Schlagworte: America—Literatures; Literature; Motion pictures; Queer theory; United States—Study and teaching; Motion pictures and television; Cultural studies; Literature; Interkulturalität; Literatur; Queer-Theorie; Elfter September <Motiv>; Film
    Weitere Schlagworte: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: xi, 202 Seiten, Illustrationen
  2. Queering memory and national identity in transcultural U.S. literature and culture
    Autor*in: Clark, Christopher W.
    Erschienen: [2020]; © 2020
    Verlag:  palgrave macmillan, Cham, Switzerland

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu Ghraib and Guantánamo Bay, and migrant fiction in the twenty-first century, Christopher W. Clark creates a queer archive of transcultural U.S. texts as a way of destabilizing heteronormativity and thinking about productive spaces of queer world-building. Drawing on the fields of transcultural memory, queer studies, and transculturalism, this book raises important questions of queer bodies and subjecthood. Clark traces their legacies through texts by Sinan Antoon, Mohamedou Ould Slahi among others, alongside film and photography that includes artists such as Nina Berman and Hasan Elahi. In all, the book queers forms of cultural memory and national identity to uncover the traces of injury but also spaces of regeneration

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030521134
    Weitere Identifier:
    9783030521134
    Schriftenreihe: American literature readings in the 21st century
    Schlagworte: USA; Literatur; Film; Elfter September <Motiv>; Interkulturalität; Queer-Theorie;
    Umfang: xi, 202 Seiten, Illustrationen
    Bemerkung(en):

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu Ghraib and Guantánamo Bay, and migrant fiction in the twenty-first century, Christopher W. Clark creates a queer archive of transcultural U.S. texts as a way of destabilizing heteronormativity and thinking about productive spaces of queer world-building. Drawing on the fields of transcultural memory, queer studies, and transculturalism, this book raises important questions of queer bodies and subjecthood. Clark traces their legacies through texts by Sinan Antoon, Mohamedou Ould Slahi among others, alongside film and photography that includes artists such as Nina Berman and Hasan Elahi. In all, the book queers forms of cultural memory and national identity to uncover the traces of injury but also spaces of regeneration

    CHAPTER ONE: INTRODUCTION. 6; THE US STATE AND 9/11; QUEER STUDIES AND IDENTITY. 15; THE GLOBAL STATE. 17; CHAPTERS; CHAPTER TWO: AMERICAN AVENGERS; GOD-GIVEN FREEDOMS; DEMARCATING SPACES. 33; BANAL AESTHETICS. 38; AC/KNOWLEDGE/MENT. 43; CHAPTER THREE: WE COULD BE HEROES. 54; VIOLENT ANIMALS. 59; MULTIVALENT DISPLACEMENTS. 64; RELATING FAILURE. 68; TRAVERSING BORDERS. 77; CHAPTER FOUR: BLACK SITES. 86; DARK IMPLICATIONS. 89; RESISTANCE AND RETALIATIONS. 94; QUEER CONTROL. 101; EMPATHETIC PALIMPSESTS. 108; CHAPTER FIVE: EMERGENT QUEERS. 117; MYTHICAL MOVEMENT. 119; COMMUNITY AND BELONGING. 125; NORMATIVE LEGACIES. 131; BATTLING FANTASIES. 138; CHAPTER SIX: CONCLUSION. 146; INDEX. 153
  3. Queering memory and national identity in transcultural U.S. literature and culture
    Autor*in: Clark, Christopher W.
    Erschienen: [2020]; © 2020
    Verlag:  palgrave macmillan, Cham, Switzerland

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 108357
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/250/718
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Badische Landesbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu Ghraib and Guantánamo Bay, and migrant fiction in the twenty-first century, Christopher W. Clark creates a queer archive of transcultural U.S. texts as a way of destabilizing heteronormativity and thinking about productive spaces of queer world-building. Drawing on the fields of transcultural memory, queer studies, and transculturalism, this book raises important questions of queer bodies and subjecthood. Clark traces their legacies through texts by Sinan Antoon, Mohamedou Ould Slahi among others, alongside film and photography that includes artists such as Nina Berman and Hasan Elahi. In all, the book queers forms of cultural memory and national identity to uncover the traces of injury but also spaces of regeneration

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030521134
    Weitere Identifier:
    9783030521134
    Schriftenreihe: American literature readings in the 21st century
    Schlagworte: USA; Literatur; Film; Elfter September <Motiv>; Interkulturalität; Queer-Theorie;
    Umfang: xi, 202 Seiten, Illustrationen
    Bemerkung(en):

    This book examines the queer implications of memory and nationhood in transcultural U.S. literature and culture. Through an analysis of art and photography responding to the U.S. domestic response to 9/11, Iraq war fiction, representations of Abu Ghraib and Guantánamo Bay, and migrant fiction in the twenty-first century, Christopher W. Clark creates a queer archive of transcultural U.S. texts as a way of destabilizing heteronormativity and thinking about productive spaces of queer world-building. Drawing on the fields of transcultural memory, queer studies, and transculturalism, this book raises important questions of queer bodies and subjecthood. Clark traces their legacies through texts by Sinan Antoon, Mohamedou Ould Slahi among others, alongside film and photography that includes artists such as Nina Berman and Hasan Elahi. In all, the book queers forms of cultural memory and national identity to uncover the traces of injury but also spaces of regeneration

    CHAPTER ONE: INTRODUCTION. 6; THE US STATE AND 9/11; QUEER STUDIES AND IDENTITY. 15; THE GLOBAL STATE. 17; CHAPTERS; CHAPTER TWO: AMERICAN AVENGERS; GOD-GIVEN FREEDOMS; DEMARCATING SPACES. 33; BANAL AESTHETICS. 38; AC/KNOWLEDGE/MENT. 43; CHAPTER THREE: WE COULD BE HEROES. 54; VIOLENT ANIMALS. 59; MULTIVALENT DISPLACEMENTS. 64; RELATING FAILURE. 68; TRAVERSING BORDERS. 77; CHAPTER FOUR: BLACK SITES. 86; DARK IMPLICATIONS. 89; RESISTANCE AND RETALIATIONS. 94; QUEER CONTROL. 101; EMPATHETIC PALIMPSESTS. 108; CHAPTER FIVE: EMERGENT QUEERS. 117; MYTHICAL MOVEMENT. 119; COMMUNITY AND BELONGING. 125; NORMATIVE LEGACIES. 131; BATTLING FANTASIES. 138; CHAPTER SIX: CONCLUSION. 146; INDEX. 153