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Introduction -- Chapter 1: Emmeline in Austen -- Chapter 2: Women and Men -- Chapter 3: Codes and Outcomes -- Chapter 4: (In)Sensibility -- Conclusion -- Bibliography. ‘Labbe’s cogent, provocative, and challenging discussion offers an exciting, new way of thinking about authorial interactions. Meticulous in locating so many instances in which Austen and Smith speak to one another, Labbe persuasively argues that critical recognition of the value of Austen’s writing needs, in turn, to appreciate the forethinking present in Smith’s work.’ - Dr. Harriet Kramer Linkin, New Mexico State University, USA ‘A lively challenge to ideas of influence. It provokes and persuades. Written in a refreshing and innovative style, it never fails to interest the reader. The works of both authors are enriched by this study, which upends what we think we know to reveal so much more than we realised.’ - Professor Sharon Ruston, Lancaster University, UK ‘Thought-provoking, insightful and accessible, offering a new approach to reading women’s fiction of the Romantic period. Labbe makes a compelling case for ‘cowriting’, for dialogue and exchange. This book not only sheds fresh light on and Austen; it provides an innovative account of how women writers can productively be read as engaging in conversation rather than competition.’ - Professor Fiona Price, University of Chichester, UK This book explores what it means to read the six major works of Jane Austen, in light of the ten major works of fiction by Charlotte Smith. It proposes that Smith had a deep and lasting impact on Austen, but this is not an influence study. Instead, it argues for the possibility that two authors who never met could between them write something into being, both responding to and creating a novelistic zeitgeist. This, the book argues, can be called co-writing. This book will appeal to students and scholars of the novel, of women’s writing, and of Smith and Austen specifically.
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