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  1. David Greig's Holed Theatre
    Globalization, Ethics and the Spectator
    Autor*in: Rodríguez, Verónica
    Erschienen: 2019
    Verlag:  Palgrave Macmillan US, Cham ; ProQuest, Ann Arbor, Michigan

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030061821
    Umfang: 1 Online-Ressource (293 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  2. David Greig's Holed Theatre
    Globalization, Ethics and the Spectator
    Autor*in: Rodríguez, Verónica
    Erschienen: 2019; ©2019
    Verlag:  Palgrave Macmillan US, Cham

    Intro -- Foreword -- Acknowledgements -- Contents -- Chapter 1 Introduction: A Shamanic Semionaut -- David Greig -- The Scenes from the World: Dialectical Engagement -- Holes, Holed Theatre and This Book's Structure -- Chapter 2 Holed Theatre as... mehr

    Zugang:
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    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Intro -- Foreword -- Acknowledgements -- Contents -- Chapter 1 Introduction: A Shamanic Semionaut -- David Greig -- The Scenes from the World: Dialectical Engagement -- Holes, Holed Theatre and This Book's Structure -- Chapter 2 Holed Theatre as Response to Globalization -- Framing Globalization in Greig -- Theatre and Globalization: From Cosmopolitanism to Cosmospolitanism -- Globalization in Greig's Theatre -- Theatre, Globalization and Aesthetics: State of the Nation? -- Critiquing Containment: Undone Time, Place and Character -- Conclusive Remarks: The Politics of Form(s) -- Chapter 3 From Ethics to the Politics of Aesthethics -- When Ethics Meets Aesthetics -- Aesthethics: Reality, Holed Mimesis and Wounded Aesthetic Strategies -- Conclusive Remarks: Troumatised Theatre, Bleeding Across and Confounding -- Chapter 4 Affect and the Holed Spectator: Ecology of Transfers -- "Not-Yetness", "Affect Turns Turning" and Infinite Shades to Affect -- Towards a Theory of Holes -- From the Holed Spectator to Holed Work -- The "Emotional Physics of Space on Stage": From Holed Work to Holed World -- Transfers: Zāhir and Bātin or Concrete/Inconcrete and Making Real -- Conclusive Remarks: Perforating Acts -- Chapter 5 Europe: Globalization's Inferiors -- War, Globalising Pressures and Uneven Mobilities -- Confoundings -- Conclusive Remarks: Towards (Elsew)here -- Chapter 6 The Architect: Blowing up Architectures of Power -- Architectures of the City: "First-World" Town(Ships) and Their (Un)Desirables -- Architectures of the Self: Inclination, Common Responsibility, Escape, Sickness, Damage, Sex and Search for Signals -- The Architect's Architecture: Fragmented Form, Space and Dialectics -- Conclusive Remarks: Explosion, Applause and "Beyond the Known".

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030061821
    Schlagworte: Authors, English-20th century; Electronic books
    Umfang: 1 online resource (293 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  3. David Greig’s Holed Theatre
    Globalization, Ethics and the Spectator
    Erschienen: 2019
    Verlag:  Springer International Publishing, Cham

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030061821
    Weitere Identifier:
    9783030061821
    Auflage/Ausgabe: 1st edition 2019
    Weitere Schlagworte: (Produktform)Electronic book text
    Umfang: Online-Ressource
    Bemerkung(en):

    Lizenzpflichtig
  4. David Greig’s holed theatre
    globalization, ethics and the spectator
    Autor*in: Rodríguez, Verónica
    Erschienen: [2019]; © 2019
    Verlag:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing,... mehr

     

    With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030061821
    Weitere Identifier:
    Schlagworte: Theater; Performing arts; Ethics; Contemporary Theatre; Performing Arts; Ethics
    Umfang: 1 Online-Ressource (xviii, 283 Seiten), Illustration
    Bemerkung(en):

    1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization’s Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union: “All this Fucking Beautiful Stuff” -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to ‘the Real’ -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft – Here -- 13. Conclusion: World-Forming Theatre