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  1. Women with cameras (anonymous)
    Erschienen: [2017]
    Verlag:  Karma, New York, NY ; Sudio Voltaire, London

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a... mehr

     

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work 'Women with Cameras (Anonymous)' (2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland

     

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  2. Women with cameras (anonymous)
    Autor*in: Collier, Anne
    Erschienen: [2017]
    Verlag:  Karma, New York, NY ; Studio Voltaire, London, England

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität der Künste Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work 'Women with Cameras (Anonymous)' (2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland

     

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  3. Women with cameras (anonymous)
    Beteiligt: Collier, Anne (KünstlerIn); Als, Hilton (VerfasserIn von ergänzendem Text)
    Erschienen: [2017]; © 2017
    Verlag:  Studio Voltaire, London, England ; Karma, New York, NY

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2020:3518:
    keine Fernleihe
    Hochschule für Grafik und Buchkunst, Bibliothek
    keine Fernleihe

     

    Women with Cameras (Anonymous) is a new artist's book by Anne Collier (born 1970), with a text by Hilton Als (winner of the 2017 Pulitzer Prize for Criticism), that consists of a sequence of 80 images of found amateur photographs that each depict a female subject in the act of holding a camera or taking a photograph. Dating from the 1970s to the early 2000s, these artifacts of the pre-digital age were collected by Collier over a number of years from flea markets, thrift stores and online market places. Each of these photographs has, at some point in the recent past, been discarded by its original owner. The concept of "abandonment," of photographic images and the personal histories that they represent, is central to Women with Cameras (Anonymous), which amplifies photography's relationship with memory, melancholia and loss. The sequence of the images in Collier's book follows the format of her 35mm slide projection work 'Women with Cameras (Anonymous)' (2016), that was recently shown to great acclaim in Tokyo, Japan, and Basel, Switzerland

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format