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  1. The Classic Short Story, 1870-1925
    Theory of a Genre
    Autor*in: Goyet, Florence
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England

    ""An explicit distance""""The use of types: subversion or immersion?""; ""“Deceptive representations� of reality""; ""The great man""; ""“We are simply the case�: James and abstract entities""; ""Reading at face value: the double distance"";... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    ""An explicit distance""""The use of types: subversion or immersion?""; ""“Deceptive representationsâ€? of reality""; ""The great man""; ""“We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" ""The short story with a dilemma""""Readersâ€? emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevskyâ€?s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The “twist-in-the-tailâ€? and antithetic tension ""; ""The “Twist-in-the-tailâ€? and retroreading""; ""“Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2""

     
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  2. The Classic Short Story, 1870-1925
    Theory of a Genre
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1909254789; 9781909254787; 1909254797; 9781909254794; 9781909254770; 1909254770
    Schlagworte: Literature; Literature; Literary form; Literature; Literature; Literary form; Literary form; Literature; Literature
    Umfang: Online Ressource (223 pages)
    Bemerkung(en):

    Includes bibliographical references and index. - Online resource; title from PDF title page (ebrary, viewed April 08, 2014)
  3. The Classic Short Story, 1870-1925
    Theory of a Genre
    Autor*in: Goyet, Florence
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England

    ""An explicit distance""""The use of types: subversion or immersion?""; ""“Deceptive representations� of reality""; ""The great man""; ""“We are simply the case�: James and abstract entities""; ""Reading at face value: the double distance"";... mehr

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    ""An explicit distance""""The use of types: subversion or immersion?""; ""“Deceptive representationsâ€? of reality""; ""The great man""; ""“We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" ""The short story with a dilemma""""Readersâ€? emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevskyâ€?s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The “twist-in-the-tailâ€? and antithetic tension ""; ""The “Twist-in-the-tailâ€? and retroreading""; ""“Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2""

     
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  4. The Classic Short Story, 1870-1925
    Theory of a Genre
    Autor*in: Goyet, Florence
    Erschienen: 2014; © 2014
    Verlag:  Open Book Publishers, Cambridge, England

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781909254770; 1909254770; 9781909254763; 9781909254787; 9781909254794; 1909254762; 9781909254756; 1909254754; 1909254789; 1909254797
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Literary form; Literature / Philosophy; Literature / Theory, etc; Literary form / History; Literature / History and criticism / Theory, etc; Literature / Philosophy; Geschichte; Literatur; Philosophie; Array
    Umfang: 1 online resource (223 pages)
    Bemerkung(en):

    Online resource; title from PDF title page (ebrary, viewed April 08, 2014)

    ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The “twist-in-the-tail� and antithetic tension ""; ""The “Twist-in-the-tail� and retroreading""; ""“Open� texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus""

    ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World""

    ""An explicit distance""""The use of types: subversion or immersion?""; ""“Deceptive representations� of reality""; ""The great man""; ""“We are simply the case�: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Verga�s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion""

    ""The short story with a dilemma""""Readers� emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevsky�s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James""

    ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2""
  5. The classic short story, 1870-1925
    theory of a genre
    Autor*in: Goyet, Florence
    Erschienen: 2014; © 2014
    Verlag:  Open Book Publishers, Cambridge, England

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781909254763; 9781909254770; 9781909254787; 9781909254794
    Schlagworte: Geschichte; Literatur; Philosophie; Literature; Literature; Literary form
    Umfang: 1 online resource (223 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (ebrary, viewed April 08, 2014)
  6. The classic short story, 1870-1925
    theory of a genre
    Autor*in: Goyet, Florence
    Erschienen: [2014]
    Verlag:  Open Book Publishers, Cambridge

    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular—the... mehr

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    Resolving-System (kostenfrei)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular—the late nineteenth and early twentieth centuries—even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing—particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke—Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website Acknowledgements -- Introduction -- Part I: Structure -- 1. Paroxystic Characterisation -- 2. Antithetic Structure -- 3. Ending with a Twist -- 4. The Tools of Brevity -- 5. Conclusion to Part I -- Part II: Media -- 6. Exoticism in the Classic Short Story -- 7. Short Stories and the Travelogue -- Part III: Reader, character and author -- 8. A Foreign World -- 9. Dialogue and Character Discreditation -- 10. The Narrator, the Reflector and the Reader -- 11. Distance and Emotion -- 12. Conclusion to Part III: Are Dostoevsky's Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story -- Bibliography -- Index

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781909254770; 9781909254787; 9781909254794
    Weitere Identifier:
    Schlagworte: Short story
    Umfang: Online-Ressource (210 Seiten)
    Bemerkung(en):

    Available through Open Book Publishers

    Fully revised and updated translation, by Yvonne Freccero and Florence Goyet, of "La nouvelle, 1870-1925 : description d'un genre à son apogée". Paris : Presses universitaires de France, c1993

    Includes bibliography (p.[197]-206) and index

    Open access resource providing free access

    Acknowledgements -- Introduction -- Part I: Structure -- 1. Paroxystic Characterisation -- 2. Antithetic Structure -- 3. Ending with a Twist -- 4. The Tools of Brevity -- 5. Conclusion to Part I -- Part II: Media -- 6. Exoticism in the Classic Short Story -- 7. Short Stories and the Travelogue -- Part III: Reader, character and author -- 8. A Foreign World -- 9. Dialogue and Character Discreditation -- 10. The Narrator, the Reflector and the Reader -- 11. Distance and Emotion -- 12. Conclusion to Part III: Are Dostoevsky's Short Stories Polyphonic? -- Epilogue: Beyond the Classic Short Story -- Bibliography -- Index
  7. The Classic Short Story, 1870-1925
    Theory of a Genre
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1909254789; 9781909254787; 1909254797; 9781909254794; 9781909254770; 1909254770
    Schlagworte: Literature; Literature; Literary form; Literature; Literature; Literary form; Literary form; Literature; Literature
    Umfang: Online Ressource (223 pages)
    Bemerkung(en):

    Includes bibliographical references and index. - Online resource; title from PDF title page (ebrary, viewed April 08, 2014)
  8. The Classic Short Story, 1870-1925
    Theory of a Genre
    Autor*in: Goyet, Florence
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England ; JSTOR, New York

    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most... mehr

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universität Frankfurt, Elektronische Ressourcen
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781909254770; 1909254770; 1909254789; 9781909254787; 1909254797; 9781909254794
    Weitere Identifier:
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literature; Literature; Literary form; Fiction and related items; Fiction: special features; Literary studies: fiction, novelists and prose writers; Literature and literary studies; Literature: history and criticism; Short stories; LITERARY CRITICISM; Literary form; Literature; Literature
    Umfang: 1 Online-Ressource (223 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Literaturverz. S. [197] - 206
  9. The Classic Short Story, 1870-1925
    Theory of a Genre
    Autor*in: Goyet, Florence
    Erschienen: 2014
    Verlag:  Open Book Publishers, Cambridge, England ; JSTOR, New York

    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most... mehr

    Zugang:
    Verlag (kostenfrei)
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    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB460490826

     

    "The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular--the late nineteenth and early twentieth centuries--even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing--particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ryunosuke--Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre."--Publisher's website.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781909254770; 1909254770; 1909254789; 9781909254787; 1909254797; 9781909254794
    Weitere Identifier:
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literature; Literature; Literary form; Fiction and related items; Fiction: special features; Literary studies: fiction, novelists and prose writers; Literature and literary studies; Literature: history and criticism; Short stories; LITERARY CRITICISM; Literary form; Literature; Literature
    Umfang: 1 Online-Ressource (223 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index

    Literaturverz. S. [197] - 206