Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 3 von 3.

  1. Van Gogh: Into the undergrowth
    Autor*in: Homburg, Cornelia; Kelly, Simon; Prins, Laura; Reynaerts, Jenny
    Erschienen: [2016]
    Verlag:  Cincinnati Art Museum, Cincinnati, Ohio ; D Giles Limited, London

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van... mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signatur:
    KMB/K GOGH,V 7 2016/17
    Fernleihe:
    keine Fernleihe

     

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van Gogh: Into the Undergrowth' examines the way in which van Gogh was part of the wider 'sous-bois' tradition in nineteenth-century French painting, and explores how he used painting as a metaphor for the dynamism, vitality, and ever-changing face of nature, as presented under the forest canopy.In addition to color plates of twenty-five artworks by van Gogh and other leading landscape painters such as Daubigny, Monet, and Gauguin, this volume presents extensive new research on van Gogh, nature, and 'sous-bois'. There is a lead essay on van Gogh and nature by independent scholar Cornelia Homburg; Jenny Reynaerts looks at the 'sous-bois' genre in the nineteenth century; whilst Simon Kelly examines van Gogh's relationship with the Barbizon and Impressionist schools. Laura Prins writes specifically on Cincinnati Art Museum's own late van Gogh painting, 'Undergrowth with Two Figures', which has recently been restored. Exhibition: Cincinnati Art Museum, Cincinnati, USA (15.10.2016 - 08.01.2017)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    04
    Quelle: Verbundkataloge
    Beteiligt: Gogh, Vincent van (Illustrator)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781907804847; 1907804846; 9780931537455
    Schlagworte: Natur <Motiv>; Wald <Motiv>
    Weitere Schlagworte: Gogh, Vincent van (1853-1890)
    Umfang: 160 Seiten
    Bemerkung(en):

    This catalogue accompanies the exhibition "Van Gogh: Into the undergrowth" on display at Cincinnati Art Museum from October 15, 2016 to January 8, 2017
  2. Van Gogh: Into the undergrowth
    Autor*in: Homburg, Cornelia; Kelly, Simon; Prins, Laura; Reynaerts, Jenny
    Erschienen: [2016]
    Verlag:  Cincinnati Art Museum, Cincinnati, Ohio ; D Giles Limited, London

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van Gogh: Into the Undergrowth' examines the way in which van Gogh was part of the wider 'sous-bois' tradition in nineteenth-century French painting, and explores how he used painting as a metaphor for the dynamism, vitality, and ever-changing face of nature, as presented under the forest canopy.In addition to color plates of twenty-five artworks by van Gogh and other leading landscape painters such as Daubigny, Monet, and Gauguin, this volume presents extensive new research on van Gogh, nature, and 'sous-bois'. There is a lead essay on van Gogh and nature by independent scholar Cornelia Homburg; Jenny Reynaerts looks at the 'sous-bois' genre in the nineteenth century; whilst Simon Kelly examines van Gogh's relationship with the Barbizon and Impressionist schools. Laura Prins writes specifically on Cincinnati Art Museum's own late van Gogh painting, 'Undergrowth with Two Figures', which has recently been restored. Exhibition: Cincinnati Art Museum, Cincinnati, USA (15.10.2016 - 08.01.2017)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Gogh, Vincent van
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781907804847; 1907804846; 9780931537455
    Schlagworte: Landscapes in art / Exhibitions; Landscapes in art; Natur <Motiv>; Wald <Motiv>
    Weitere Schlagworte: Gogh, Vincent van / 1853-1890 / Exhibitions; Gogh, Vincent van / 1853-1890; Gogh, Vincent van (1853-1890)
    Umfang: 160 Seiten
    Bemerkung(en):

    This catalogue accompanies the exhibition "Van Gogh: Into the undergrowth" on display at Cincinnati Art Museum from October 15, 2016 to January 8, 2017
  3. Van Gogh: Into the undergrowth
    Autor*in: Homburg, Cornelia; Kelly, Simon; Prins, Laura; Reynaerts, Jenny
    Erschienen: [2016]
    Verlag:  Cincinnati Art Museum, Cincinnati, Ohio

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van... mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    There is something intrinsically fresh, immediate and approachable about van Gogh's 'sous-bois' paintings, which are some of his most famous and finest works, and which beautifully capture the subtle and transient effects of light on foliage. 'Van Gogh: Into the Undergrowth' examines the way in which van Gogh was part of the wider 'sous-bois' tradition in nineteenth-century French painting, and explores how he used painting as a metaphor for the dynamism, vitality, and ever-changing face of nature, as presented under the forest canopy.In addition to color plates of twenty-five artworks by van Gogh and other leading landscape painters such as Daubigny, Monet, and Gauguin, this volume presents extensive new research on van Gogh, nature, and 'sous-bois'. There is a lead essay on van Gogh and nature by independent scholar Cornelia Homburg; Jenny Reynaerts looks at the 'sous-bois' genre in the nineteenth century; whilst Simon Kelly examines van Gogh's relationship with the Barbizon and Impressionist schools. Laura Prins writes specifically on Cincinnati Art Museum's own late van Gogh painting, 'Undergrowth with Two Figures', which has recently been restored. Exhibition: Cincinnati Art Museum, Cincinnati, USA (15.10.2016 - 08.01.2017)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    04
    Quelle: Verbundkataloge
    Beteiligt: Gogh, Vincent <<van>> (Illustrator)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781907804847; 1907804846; 9780931537455
    Schlagworte: Gogh, Vincent <<van>>; Wald <Motiv>; Natur <Motiv>
    Umfang: 160 Seiten
    Bemerkung(en):

    This catalogue accompanies the exhibition "Van Gogh: Into the undergrowth" on display at Cincinnati Art Museum from October 15, 2016 to January 8, 2017