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  1. Performing violence
    literary and theatrical experiments of new Russian drama
    Autor*in: Beumers, Birgit
    Erschienen: 2009
    Verlag:  Intellect, Bristol, UK

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Performing violence
    literary and theatrical experiments of new Russian drama
    Erschienen: 2009
    Verlag:  Intellect, Bristol, UK

    Front Cover; Preliminary Pages; Contents; Acknowledgments; Note on Transliteration; Foreword; Preface; Introduction: Contours and Contexts of New Drama; Part I: The Context; Chapter 1: Violence in Soviet and Post-Soviet Culture; Chapter 2: The... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Front Cover; Preliminary Pages; Contents; Acknowledgments; Note on Transliteration; Foreword; Preface; Introduction: Contours and Contexts of New Drama; Part I: The Context; Chapter 1: Violence in Soviet and Post-Soviet Culture; Chapter 2: The Precursors of New Drama; Chapter 3: Theatre in the Ruins of Language; Part II: Text and Performance; Chapter 4: Communicating through Violence: Kurochkin, Koliada, Sigarev, Klavdiev; Chapter 5: Evgenii Grishkovets and Trauma; Chapter 6: Documentary Theatre; Chapter 7: Ivan Vyrypaev and the Abject; Chapter 8: The Presniakovs and Performing Violence. New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights. Performing Violence is the first English-language study of the consequent boom in drama and why this new breed of authors were writing fierce plays, whilst previous generations had preferred poetry and prose. Since 1999 numerous festivals of new Russian drama have taken place, which have brought international re

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781841503462; 1841503460
    Schlagworte: Russian drama; Russian drama; Violence in the theater; Violence in literature; Violence in motion pictures; Violence in the theater; Russian drama; Violence in literature; Russian drama; Violence in motion pictures; Violence in the theater; LITERARY CRITICISM ; Russian & Former Soviet Union; Violence in literature; Russian drama; Criticism, interpretation, etc
    Umfang: Online Ressource (316 p.), ill., ports.
    Bemerkung(en):

    Includes bibliographical references (p. 307-315). - Description based on print version record
  3. Performing violence
    literary and theatrical experiments of new Russian drama
    Autor*in: Beumers, Birgit
    Erschienen: 2009
    Verlag:  Intellect, Bristol, UK [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights. Performing Violence is the first English-language study of the consequent boom in drama and why this new breed of authors were writing fierce plays, whilst previous generations had preferred poetry and prose. Since 1999 numerous festivals of new Russian drama have taken place, which have brought international re.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Lipovet︠s︡kiĭ, M. N.
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781841503462; 1841503460
    RVK Klassifikation: KK 2360
    Schlagworte: Russisch; Drama; Gewalt <Motiv>
    Umfang: 1 Online-Ressource (316 pages), Illustrations, portraits
    Bemerkung(en):

    Includes bibliographical references (pages 307-315)
  4. Performing Violence
    Literary and Theatrical Experiments of New Russian Drama
    Autor*in: Beumers, Birgit
    Erschienen: 2009
    Verlag:  Intellect Books Ltd, Bristol

    New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signatur:
    E-Books ProQuest Academic
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signatur:
    E-Book Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signatur:
    EBS ProQuest
    Fernleihe:
    keine Fernleihe

     

    New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights. Performing Violence is the first English-language study of the consequent boom in drama and why this new breed of authors were writing fierce plays, whilst previous generations had preferred poetry and prose. Since 1999 numerous festivals of new Russian drama have taken place, which have brought international recognition to such playwrights as the Presnyakov brothers, Evgeni Grishkovets and Vasili Sigarev. At the same time, young stage directors and new theatres also emerged. New Russian Drama is therefore one of a few artistic and cultural phenomena shaped entirely in the post-Soviet period and this book investigates the violent portrayal of identity crisis of the generation as represented by theatre. Reflecting the disappointment in Yeltsin's democratic reforms and Putin's neo-conservative politics, the focus is on political and social representations of violence, its performances and justifications. Performing Violence seeks a vantage point for the analysis of brutality in post-Soviet culture. It is a key text for students of theatre, drama, Russian studies, culture and literature Front Cover -- Preliminary Pages -- Contents -- Acknowledgments -- Note on Transliteration -- Foreword -- Preface -- Introduction: Contours and Contexts of New Drama -- Part I: The Context -- Chapter 1: Violence in Soviet and Post-Soviet Culture -- Chapter 2: The Precursors of New Drama -- Chapter 3: Theatre in the Ruins of Language -- Part II: Text and Performance -- Chapter 4: Communicating through Violence: Kurochkin, Koliada, Sigarev, Klavdiev -- Chapter 5: Evgenii Grishkovets and Trauma -- Chapter 6: Documentary Theatre -- Chapter 7: Ivan Vyrypaev and the Abject -- Chapter 8: The Presniakovs and Performing Violence -- Conclusion -- Bibliography -- Back Cover

     
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