Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 6 von 6.

  1. Forces of Ambiguity
    Life, Death, Disease and Eros in Thomas Mann’s "Der Zauberberg"
    Erschienen: [2017]
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into contact with three pedagogic figures who each represent a different attitude towards these themes. The humanist Settembrini, for example, affirms life but is repulsed by Eros, disease and death; the Jesuit ascetic Naphta glorifies erotic suffering and death while denying life; and the coffee magnate Peeperkorn celebrates life and Eros – yet to a pathological extent.This book relies on intertextual theory to examine the relation of these conceptions of life, death, disease and Eros within the novel to the thought of Novalis, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Exploring the dialogic clash of their conceptions together with the sociological implications of their work, this author investigates how the relationships between Der Zauberberg and the intertexts influence the reader’s interpretation of the nature of life, death, disease and Eros as well as the effect they have on the culture depicted in the novel CONTENTS: Design and intention – Sympathie mit dem Tode: The dominion of death over life – Ambiguous affiliations: The stimulus of life and disease – The seeds of war: Disease, decadence and destruction – Erotic stimulus, gender and homosexuality – Decadence and the erotic: The powers of immorality

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787072381
    Weitere Identifier:
    9781787072381
    RVK Klassifikation: GM 4782
    Schlagworte: Mann, Thomas; Ambiguität; ; Mann, Thomas;
    Umfang: 1 Online-Ressource (xxii, 302 Seiten)
  2. Forces of Ambiguity
    Life, Death, Disease and Eros in Thomas Mann's «Der Zauberberg»
    Erschienen: 2017
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787072381
    Weitere Identifier:
    9781787072381
    RVK Klassifikation: GM 4782
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Tod <Motiv>; Eros <Begriff, Motiv>; Leben <Motiv>; Ambiguität; Krankheit <Motiv>
    Weitere Schlagworte: Mann, Thomas (1875-1955): Der Zauberberg
    Umfang: 1 Online-Ressource (330 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 27, 2019)

    Thomas Mann's novel Der Zauberberg (1913-1924) illustrates a change in the author's conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel's main protagonist, Hans Castorp, comes into contact with three pedagogic figures who each represent a different attitude towards these themes. The humanist Settembrini, for example, affirms life but is repulsed by Eros, disease and death; the Jesuit ascetic Naphta glorifies erotic suffering and death while denying life; and the coffee magnate Peeperkorn celebrates life and Eros - yet to a pathological extent. This book relies on intertextual theory to examine the relation of these conceptions of life, death, disease and Eros within the novel to the thought of Novalis, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Exploring the dialogic clash of their conceptions together with the sociological implications of their work, this author investigates how the relationships between Der Zauberberg and the intertexts influence the reader's interpretation of the nature of life, death, disease and Eros as well as the effect they have on the culture depicted in the novel

  3. Forces of Ambiguity
    Life, Death, Disease and Eros in Thomas Mann’s «Der Zauberberg»
    Erschienen: 2017
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  4. Forces of Ambiguity
    Erschienen: 2017
    Verlag:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into... mehr

    Zugang:
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into contact with three pedagogic figures who each represent a different attitude towards these themes. The humanist Settembrini, for example, affirms life but is repulsed by Eros, disease and death; the Jesuit ascetic Naphta glorifies erotic suffering and death while denying life; and the coffee magnate Peeperkorn celebrates life and Eros – yet to a pathological extent.This book relies on intertextual theory to examine the relation of these conceptions of life, death, disease and Eros within the novel to the thought of Novalis, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Exploring the dialogic clash of their conceptions together with the sociological implications of their work, this author investigates how the relationships between Der Zauberberg and the intertexts influence the reader’s interpretation of the nature of life, death, disease and Eros as well as the effect they have on the culture depicted in the novel.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787072381
    Weitere Identifier:
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 1st, New ed.
    Schlagworte: Ambiguität; Leben <Motiv>; Tod <Motiv>; Krankheit <Motiv>; Eros <Begriff, Motiv>
    Weitere Schlagworte: Mann, Thomas (1875-1955): Der Zauberberg
    Umfang: 1 Online-Ressource
  5. Forces of Ambiguity
    Life, Death, Disease and Eros in Thomas Mann’s "Der Zauberberg"
    Erschienen: [2017]
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe

     

    Thomas Mann’s novel Der Zauberberg (1913–1924) illustrates a change in the author’s conceptions of life, death, disease and Eros following World War I. Set in a Swiss tuberculosis sanatorium, the novel’s main protagonist, Hans Castorp, comes into contact with three pedagogic figures who each represent a different attitude towards these themes. The humanist Settembrini, for example, affirms life but is repulsed by Eros, disease and death; the Jesuit ascetic Naphta glorifies erotic suffering and death while denying life; and the coffee magnate Peeperkorn celebrates life and Eros – yet to a pathological extent.This book relies on intertextual theory to examine the relation of these conceptions of life, death, disease and Eros within the novel to the thought of Novalis, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Exploring the dialogic clash of their conceptions together with the sociological implications of their work, this author investigates how the relationships between Der Zauberberg and the intertexts influence the reader’s interpretation of the nature of life, death, disease and Eros as well as the effect they have on the culture depicted in the novel CONTENTS: Design and intention – Sympathie mit dem Tode: The dominion of death over life – Ambiguous affiliations: The stimulus of life and disease – The seeds of war: Disease, decadence and destruction – Erotic stimulus, gender and homosexuality – Decadence and the erotic: The powers of immorality

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787072381
    Weitere Identifier:
    9781787072381
    RVK Klassifikation: GM 4782
    Schlagworte: Mann, Thomas; Ambiguität; ; Mann, Thomas;
    Umfang: 1 Online-Ressource (xxii, 302 Seiten)
  6. Forces of ambiguity
    life, death, disease and eros in Thomas Mann's Der Zauberberg
    Erschienen: 2017
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    In the wake of World War I, Thomas Mann wrote the novel Der Zauberberg (1913-1924), which illustrates a change in the author's conceptions of life, death, disease and Eros. Using intertextual theory, this book reveals the relation between the thought... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    In the wake of World War I, Thomas Mann wrote the novel Der Zauberberg (1913-1924), which illustrates a change in the author's conceptions of life, death, disease and Eros. Using intertextual theory, this book reveals the relation between the thought of Novalis, Schopenhauer, Nietzsche and Freud and the culture depicted in the novel Cover -- Contents -- Acknowledgements -- A note on the translations -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Introduction -- Chapter 1: Design and intention -- The choice of intertexts -- Der Zauberberg and the work of Novalis, Schopenhauer, Nietzsche and Freud: An overview of source-critical scholarship -- Models of intertextuality: Text and intertext -- Author, reader, text: The origin of meaning-production -- Chapter 2: Sympathie mit dem Tode: The dominion of death over life -- The social repression of death -- Views of death: Christian versus atheist -- Attitudes towards death -- The affirmation of death and the devaluation of life -- The glorification of death as release -- The synthesis of life and death -- Conclusion -- Chapter 3: Ambiguous affiliations: The stimulus of life and disease -- The nature of life: Receptivity to stimuli -- Stimuli, determinism and heredity -- Health, disease and the organism -- Stimuli, life and disease -- The interrelation of life, Mind and disease -- Conclusion -- Chapter 4: The seeds of war: Disease, decadence and destruction -- The environmental causes of disease -- Lethargy and boredom -- Boredom, time and entertainment -- Entertainment and intoxication -- Irritability and aggression -- The combination of lethargy and irritability -- Conclusion -- Chapter 5: Erotic stimulus, gender and homosexuality -- Life, Eros and aesthetics -- The nature of Eros: Stimuli and the body -- Eros, death and disease -- Pleasure and pain -- Conclusion -- Chapter 6: Decadence and the erotic: The powers of immorality -- Culture versus nature: Morality, Eros and disease -- Civilisation and the diseased body -- Erotic freedom, decadence and gender -- The power of immoral lust and disease over moral life -- Synthesis or mediation? Eros, disease and humanity -- Conclusion Conclusion -- Bibliography -- Primary sources -- Secondary sources -- Index

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787072381
    RVK Klassifikation: GM 4782
    Schlagworte: Ambiguity; Electronic books
    Umfang: 1 online resource (307 pages)