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  1. Music into fiction
    composers writing, compositions imitated
    Autor*in: Ziolkowski, Theodore
    Erschienen: 2017
    Verlag:  Camden House, Rochester, NY

    This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.

    Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782049173
    RVK Klassifikation: LR 57710
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Music and literature; Musicians as authors; Rezeption; Komponist; Literatur; Musik; Romantik; Musikalische Form
    Weitere Schlagworte: Wagner, Richard (1813-1883); Hoffmann, E. T. A. (1776-1822); Mann, Thomas (1875-1955)
    Umfang: 1 online resource (xi, 248 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)

    Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion
  2. Music into fiction
    composers writing, compositions imitated
    Autor*in: Ziolkowski, Theodore
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782049173
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Komponist; Romantik; Musik; Musikalische Form; Rezeption; Literatur
    Umfang: 1 Online-Ressource (xi, 248 Seiten)
  3. Music into fiction
    composers writing, compositions imitated
    Autor*in: Ziolkowski, Theodore
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782049173
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutschland; Frankreich; Romantik; Musik; Komponist; Literatur; Geschichte 1800-1850; Literatur; Rezeption; Musikalische Form; Geschichte 1900-2010
    Umfang: 1 Online-Ressource (xi, 248 Seiten)
  4. Music into fiction
    composers writing, compositions imitated
    Autor*in: Ziolkowski, Theodore
    Erschienen: 2017
    Verlag:  Camden House, Rochester, NY ; Cambridge University Press, Cambridge, UK

    This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers.

    Theodore Ziolkowski is ProfessorEmeritus of German and Comparative Literature, Princeton University.

    ...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782049173
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Komponist; Literatur; Musik; Musikalische Form; Rezeption; Romantik
    Umfang: 1 Online-Ressource (xi, 248 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)