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  1. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain; Sklaverei <Motiv>; Künste
    Umfang: 1 online resource (xvi, 291 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  2. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Art, Black; Slavery in art.; Slave trade in art.; African diaspora in art.; African American art.; Art, Caribbean.; Art, African.; Art, Caribbean; Art, African; Slave trade in art; African American art; African diaspora in art; Slavery in art; Art, Black; Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black ; Great Britain
    Umfang: 1 Online-Ressource (xvi, 291 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  3. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    keine Fernleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Art, Black; Art, Caribbean; Art, African; Slave trade in art; African American art; African diaspora in art; Slavery in art; Slavery in art.; Slave trade in art.; African diaspora in art.; African American art.; Art, Caribbean.; Art, African.; Art, Black; Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black ; Great Britain
    Umfang: 1 Online-Ressource (xvi, 291 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)