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  1. Narrative mourning
    death and its relics in the eighteenth-century British novel
    Erschienen: [2020]
    Verlag:  Bucknell University Press, Lewisberg, Pennsylvania

    Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 114981
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2020/3003
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2020 A 10307
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    NJ 350.114
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho (1794); Part I. The Secret Life of Portraits; Part II. Death as the Lost Beloved -- Persons : 3. "All the Horrors of Friendship": Counting the Bodies in Sarah Fielding's David Simple (1744) and Volume the Last (1753); Part I. The Sorrows of Young David: Melancholia; Part II. Double Vision: Allegory; 4. "It is All for You!": Dying for Love in Samuel Richardson's The History of Sir Charles Grandison (1753) -- Ghosts : 5. "'Tis at Least a Memorial for Those Who Survive": The It-Narrator, Death Writing, and the Ghostwriter in Henry Mackenzie's The Man of Feeling (1771) -- Conclusion: Death and the Novel. "Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph -- Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho - the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684481910; 9781684481927
    Schriftenreihe: Transits: literature, thought & culture 1650-1850
    Schlagworte: English fiction; Death in literature; Relics in literature; Mourning customs in literature; Manners and customs
    Umfang: ix, 206 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 189-198

  2. Narrative mourning
    death and its relics in the eighteenth-century British novel
    Erschienen: [2020]
    Verlag:  Bucknell University Press, Lewisberg, Pennsylvania

    Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho (1794); Part I. The Secret Life of Portraits; Part II. Death as the Lost Beloved -- Persons : 3. "All the Horrors of Friendship": Counting the Bodies in Sarah Fielding's David Simple (1744) and Volume the Last (1753); Part I. The Sorrows of Young David: Melancholia; Part II. Double Vision: Allegory; 4. "It is All for You!": Dying for Love in Samuel Richardson's The History of Sir Charles Grandison (1753) -- Ghosts : 5. "'Tis at Least a Memorial for Those Who Survive": The It-Narrator, Death Writing, and the Ghostwriter in Henry Mackenzie's The Man of Feeling (1771) -- Conclusion: Death and the Novel. "Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph -- Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho - the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684481910; 9781684481927
    Schriftenreihe: Transits: literature, thought & culture 1650-1850
    Schlagworte: English fiction; Death in literature; Relics in literature; Mourning customs in literature; Manners and customs
    Umfang: ix, 206 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 189-198

  3. Narrative mourning
    death and its relics in the eighteenth-century British novel
    Erschienen: [2020]
    Verlag:  Bucknell University Press, Lewisberg, Pennsylvania

    "Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's... mehr

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph -- Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho - the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781684481910; 9781684481927
    RVK Klassifikation: HK 1091 ; HK 1301
    Schriftenreihe: Transits : literature, thought & culture 1650-1850
    Schlagworte: Roman; Englisch; Tod <Motiv>
    Weitere Schlagworte: English fiction / 18th century / History and criticism; Death in literature; Relics in literature; Mourning customs in literature; Manners and customs / History / 18th century; Death in literature; English fiction; Manners and customs; Mourning customs in literature; Relics in literature; England; 1700-1799; Criticism, interpretation, etc; History
    Umfang: ix, 206 pages, Illustrationen
    Bemerkung(en):

    Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho (1794); Part I. The Secret Life of Portraits; Part II. Death as the Lost Beloved -- Persons : 3. "All the Horrors of Friendship": Counting the Bodies in Sarah Fielding's David Simple (1744) and Volume the Last (1753); Part I. The Sorrows of Young David: Melancholia; Part II. Double Vision: Allegory; 4. "It is All for You!": Dying for Love in Samuel Richardson's The History of Sir Charles Grandison (1753) -- Ghosts : 5. "'Tis at Least a Memorial for Those Who Survive": The It-Narrator, Death Writing, and the Ghostwriter in Henry Mackenzie's The Man of Feeling (1771) -- Conclusion: Death and the Novel

  4. Narrative mourning
    death and its relics in the eighteenth-century British novel
    Erschienen: [2020]
    Verlag:  Bucknell University Press, Lewisburg

    Universität Mainz, Zentralbibliothek
    298.227
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781684481927; 9781684481910
    RVK Klassifikation: HK 1301 ; HK 1091
    Schriftenreihe: Transits
    Schlagworte: Englisch; Roman; Tod <Motiv>; Sitte; Tradition
    Umfang: 206 Seiten
    Bemerkung(en):

    Includes bibliographical references and index.