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  1. Shakespeare's auditory worlds
    hearing and staging practices, then and now
    Beteiligt: Magnus, Laury (HerausgeberIn); Cannon, Walter W. (HerausgeberIn)
    Erschienen: [2021]; ©2021
    Verlag:  Fairleigh Dickinson University Press, Vancouver

    Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in... mehr

    Württembergische Landesbibliothek
    73/2285
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    318851 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    71.2431
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen. "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Magnus, Laury (HerausgeberIn); Cannon, Walter W. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781683932000; 9781683932024
    Weitere Identifier:
    9781683932024
    RVK Klassifikation: HI 3390
    Schriftenreihe: Shakespeare and the stage
    Schlagworte: Communication in literature; Listening in literature; Speech in literature; Sound in literature; Theaters
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 293 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

  2. Shakespeare's auditory worlds
    hearing and staging practices, then and now
    Beteiligt: Magnus, Laury (Hrsg.); Cannon, Walter W. (Hrsg.)
    Erschienen: [2021]; © 2021
    Verlag:  Fairleigh Dickinson University Press, Vancouver ; Madison ; Teaneck ; Wroxton

    "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Magnus, Laury (Hrsg.); Cannon, Walter W. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781683932024; 9781683932000
    RVK Klassifikation: HI 3560 ; HI 3390
    Schriftenreihe: Shakespeare and the stage
    Schlagworte: Hören <Motiv>; Belauschen <Motiv>; Inszenierung; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William / 1564-1616 / Dramatic production; Communication in literature; Listening in literature; Speech in literature; Sound in literature; Theaters / Stage-setting and scenery / History; Shakespeare, William / 1564-1616; Communication in literature; Listening in literature; Sound in literature; Speech in literature; Theater; Theaters / Stage-setting and scenery; History
    Umfang: xi, 293 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen

  3. Shakespeare's auditory worlds
    hearing and staging practices, then and now
    Beteiligt: Magnus, Laury (Herausgeber); Cannon, Walter W (Herausgeber)
    Erschienen: [2021]; © 2021
    Verlag:  Fairleigh Dickinson University Press, Vancouver ; Madison ; Teaneck ; Wroxton

    "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships... mehr

    Universitätsbibliothek Paderborn
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides. It explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and nonverbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Magnus, Laury (Herausgeber); Cannon, Walter W (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781683932024; 9781683932000
    RVK Klassifikation: HI 3560 ; HI 3390
    Schriftenreihe: Shakespeare and the stage
    Schlagworte: Shakespeare, William; Drama; Hören <Motiv>; Belauschen <Motiv>; Inszenierung;
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Dramatic production; Communication in literature; Listening in literature; Speech in literature; Sound in literature; Theaters / Stage-setting and scenery / History; Shakespeare, William / 1564-1616; Communication in literature; Listening in literature; Sound in literature; Speech in literature; Theater; Theaters / Stage-setting and scenery; History
    Umfang: xi, 293 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction: Listening to Shakespeare's worlds of sound / Walter W. Cannon and Laury Magnus -- Sensory apprehension : speaking, hearing, and seeing on Shakespeare's stages. "Report me and my cause aright" : hearing the language of exhortation in Hamlet and King Lear / David Bevington -- Sound and sight, sound vs. sight in Hamlet / Laury Magnus -- Hearing and interfering : solving puzzles in theater productions of Measure for measure / Gayle Gaskill -- Hearing gone awry : mishearing, not hearing, and silence. Silence, mishearing, and indirection in Much ado / Caroline Latta -- Writing letters, hearing voices : epistolary error on Twelfth night / Walter W. Cannon -- Staging "skimble-skamble stuff" : 1 Henry IV and the Welsh voice / Megan Lloyd and Elizabeth Brown -- Hearing beyond words : Shakespear's noise, sounds, and music. Soundscape for an offstage beheading : Shakespeare's revision of 2 Henry VI 4.1 / Stephen Urkowitz -- "Fearful and confused cries" : birdsong, sympathy, and the fear of sounds in Titus Andronicus / Clio Doyle -- "They say it will penetrate" : music as aural violation in The two gentlemen of Verona and Cymbeline / R. W. Jones -- Hearing cues in Shakespeare : instrumental music and sound effects in the later plays / Jennifer Linhart Wood -- Restructuring audience at Shakespeare's globe / Lesli C. Dunn -- Voices from the Blackfriars stage. Voices from the Blackfriars stage : a virtual roundtable discussion from actors at the American Shakespeare Center: Benjamin Curns, Sarah Fallon, Allison Glenzer, John Harrell, James Keegan, Patrick Midgley -- Hearing on the Blackfriars stage : a coda / Ralph Alan Cohen