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  1. Realism and role-play
    the human figure in French art from Callot to the brothers Le Nain
    Autor*in: Knowles, Marika
    Erschienen: 2020
    Verlag:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville]

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2021:872:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 126007
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2021 C 8
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644531815; 9781644531808
    Schriftenreihe: Studies in seventeenth- and eighteenth-century art and culture
    Schlagworte: Human beings in art; Figurative art, French; Social status in art; Role playing in art
    Umfang: xiv, 308 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. Realism and role-play
    the human figure in French art from Callot to the brothers Le Nain
    Autor*in: Knowles, Marika
    Erschienen: 2020
    Verlag:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville]

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644531815; 9781644531808
    Schriftenreihe: Studies in seventeenth- and eighteenth-century art and culture
    Schlagworte: Human beings in art; Figurative art, French; Social status in art; Role playing in art
    Umfang: xiv, 308 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  3. Realism and role-play
    the human figure in French art from Callot to the Brothers Le Nain
    Autor*in: Knowles, Marika
    Erschienen: 2020
    Verlag:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville, Virginia]

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... mehr

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781644532058; 9781644531808
    RVK Klassifikation: LM 83520
    Schriftenreihe: Studies in seventeenth- and eighteenth-century art and culture
    Schlagworte: Kunst; Mensch <Motiv>
    Weitere Schlagworte: Human beings in art; Figurative art, French / 17th century; Social status in art; Role playing in art; Figurative art, French; Human beings in art; Role playing in art; Social status in art; 1600-1699
    Umfang: XIV, 308 Seiten, Illustrationen, 23 cm