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  1. Evil gods and reckless saviours
    adaptation and appropriation in late twentieth-century Jesus novels
    Autor*in: Eskola, Timo
    Erschienen: 2011
    Verlag:  Pickwick Publ., Eugene, Or.

    Includes bibliographical references (p. 327-337) Late twentieth-century Jesus novels carve out a completely new picture of Jesus. Those written by Norman Mailer, José Saramago, Michèle Roberts, Marianne Fredriksson, and Ki Longfellow, among others,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Includes bibliographical references (p. 327-337) Late twentieth-century Jesus novels carve out a completely new picture of Jesus. Those written by Norman Mailer, José Saramago, Michèle Roberts, Marianne Fredriksson, and Ki Longfellow, among others, provide inversive revisions of the canonical Gospels. Their adaptations often turn into a critique of the whole of Christian history. The contrast novels investigated in this study end up with appropriations that are based on prototypical rewriting. They aim at the rehabilitation of Judas, and some of them make Mary Magdalene the key figure of Christianity. Saramago describes God as a bloodthirsty tyrant, and Mailer makes God battle the devil in a "Manichaen" sense as with an equal. The main result of this intertextual analysis is that these authors have adopted Nietzschean ideas in their writing. An attack on the so-called biblical slave morality and violent concept of God deprives Jesus of his Jewish messianic identity, makes Old Testament law a contradiction of life, calls sacrificial soteriology a violent paradigm supporting oppression, and presents God as a cruel monster. As a result, Jewish faith appears in a negative light. Apparently, Western culture still harbours anti-Judaic attitudes, albeit hidden beneath sentiments of equality and tolerance. Timo Eskola skillfully shows that despite the evident post-Holocaust consciousness present in the novels, they actually adopt an arrogant and ironic refutation of Jewish beliefs and Old Testament faith

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1610971183; 9781610971188
    Schlagworte: Comparative literature; Literature, Modern
    Weitere Schlagworte: Jesus Christ
    Umfang: x, 337 S, 23 cm
    Bemerkung(en):

    Source texts and subtexts in contemporary Jesus-novels -- Turning God-incarnate into a Faustian frivol -- Contesting the moral values of the gospels -- Challenging the biblical role of women -- Dissolving sacrificial religion -- Attacking biblical theism -- Reinjecting mystery into religion -- Iconoclastic intertextualism -- Conclusion: Nietzschean themes in contrast-novels.

    Nietzschean themes in contrast-novels
  2. Evil gods and reckless saviours
    adaptation and appropriation in late twentieth-century Jesus novels
    Autor*in: Eskola, Timo
    Erschienen: 2011
    Verlag:  Pickwick Publ., Eugene, Or.

    Includes bibliographical references (p. 327-337) Late twentieth-century Jesus novels carve out a completely new picture of Jesus. Those written by Norman Mailer, José Saramago, Michèle Roberts, Marianne Fredriksson, and Ki Longfellow, among others,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 854123
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Includes bibliographical references (p. 327-337) Late twentieth-century Jesus novels carve out a completely new picture of Jesus. Those written by Norman Mailer, José Saramago, Michèle Roberts, Marianne Fredriksson, and Ki Longfellow, among others, provide inversive revisions of the canonical Gospels. Their adaptations often turn into a critique of the whole of Christian history. The contrast novels investigated in this study end up with appropriations that are based on prototypical rewriting. They aim at the rehabilitation of Judas, and some of them make Mary Magdalene the key figure of Christianity. Saramago describes God as a bloodthirsty tyrant, and Mailer makes God battle the devil in a "Manichaen" sense as with an equal. The main result of this intertextual analysis is that these authors have adopted Nietzschean ideas in their writing. An attack on the so-called biblical slave morality and violent concept of God deprives Jesus of his Jewish messianic identity, makes Old Testament law a contradiction of life, calls sacrificial soteriology a violent paradigm supporting oppression, and presents God as a cruel monster. As a result, Jewish faith appears in a negative light. Apparently, Western culture still harbours anti-Judaic attitudes, albeit hidden beneath sentiments of equality and tolerance. Timo Eskola skillfully shows that despite the evident post-Holocaust consciousness present in the novels, they actually adopt an arrogant and ironic refutation of Jewish beliefs and Old Testament faith

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1610971183; 9781610971188
    Schlagworte: Comparative literature; Literature, Modern
    Weitere Schlagworte: Jesus Christ
    Umfang: x, 337 S, 23 cm
    Bemerkung(en):

    Source texts and subtexts in contemporary Jesus-novels -- Turning God-incarnate into a Faustian frivol -- Contesting the moral values of the gospels -- Challenging the biblical role of women -- Dissolving sacrificial religion -- Attacking biblical theism -- Reinjecting mystery into religion -- Iconoclastic intertextualism -- Conclusion: Nietzschean themes in contrast-novels.

    Nietzschean themes in contrast-novels