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  1. History, memory, and the literary left
    modern American poetry, 1935 - 1968
    Autor*in: Lowney, John
    Erschienen: c 2006
    Verlag:  University of Iowa Press, Iowa City

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781587295089; 1587295083
    RVK Klassifikation: HU 1769
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions
    Umfang: XII, 287 S, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 259 - 277) and index

    The janitor's poems of every day: American poetry and the 1930's -- Buried history: the popular front poetics of Muriel Rukeyser's The book of the dead -- Allegories of salvage: the peripheral vision of Elizabeth Bishop's North & South -- Harlem Disc-tortions: the jazz memory of Langston Hughes's Montage of a dream deferred -- A reportage and Redemption: the poetics of African American countermemory in Gwendolyn Brook's In the Mecca -- A metamorphic palimpsest: the underground memory of Thomas McGrath's Letter to an imaginary friend -- The spectre of the 1930s: George Oppen's Of being numerous and historical amnesia
  2. History, memory, and the literary left
    modern American poetry, 1935-1968
    Autor*in: Lowney, John
    Erschienen: c2006
    Verlag:  University of Iowa Press, Iowa City

    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the... mehr

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    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587295083; 9781587295089
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: American poetry; Right and left (Political science) in literature; Poets, American; Depressions; Politics and literature
    Umfang: Online-Ressource (xii, 287 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 259-277) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments and Permissions; 1. The Janitor's Poems of Every Day: American Poetry and the 1930s; 2. Buried History: The Popular Front Poetics of Muriel Rukeyser's The Book of the Dead; 3. Allegories of Salvage: The Peripheral Vision of Elizabeth Bishop's North & South; 4. Harlem Disc-tortions: The Jazz Memory of Langston Hughes's Montage of a Dream Deferred; 5. A Reportage and Redemption: The Poetics of African American Countermemory in Gwendolyn Brooks's In the Mecca; 6. A Metamorphic Palimpsest: The Underground Memory of Thomas McGrath's Letter to an Imaginary Friend

    7. The Spectre of the 1930s: George Oppen's Of Being Numerous and Historical AmnesiaNotes; Bibliography; Index
  3. History, memory, and the literary left
    modern American poetry, 1935-1968
    Autor*in: Lowney, John
    Erschienen: c2006
    Verlag:  University of Iowa Press, Iowa City

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587295083; 9781587295089
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: Geschichte; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; Die Linke; Lyrik; Moderne
    Umfang: xii, 287 p
    Bemerkung(en):

    Includes bibliographical references (p. 259-277) and index

    The janitor's poems of every day: American poetry and the 1930's -- Buried history: the popular front poetics of Muriel Rukeyser's The book of the dead -- Allegories of salvage: the peripheral vision of Elizabeth Bishop's North & South -- Harlem Disc-tortions: the jazz memory of Langston Hughes's Montage of a dream deferred -- A reportage and Redemption: the poetics of African American countermemory in Gwendolyn Brook's In the Mecca -- A metamorphic palimpsest: the underground memory of Thomas McGrath's Letter to an imaginary friend -- The spectre of the 1930s: George Oppen's Of being numerous and historical amnesia
  4. History, memory, and the literary left
    modern American poetry, 1935-1968
    Autor*in: Lowney, John
    Erschienen: ©2006
    Verlag:  University of Iowa Press, Iowa City

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1587295083; 1587297337; 9781587295089; 9781587297335
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: LITERARY CRITICISM / Poetry; Lyrik; Moderne; Die Linke; Geschichte; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; Moderne; Die Linke; Lyrik
    Umfang: 1 Online-Ressource (xii, 287 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    The janitor's poems of every day: American poetry and the 1930's -- Buried history: the popular front poetics of Muriel Rukeyser's The book of the dead -- Allegories of salvage: the peripheral vision of Elizabeth Bishop's North & South -- Harlem Disc-tortions: the jazz memory of Langston Hughes's Montage of a dream deferred -- A reportage and Redemption: the poetics of African American countermemory in Gwendolyn Brook's In the Mecca -- A metamorphic palimpsest: the underground memory of Thomas McGrath's Letter to an imaginary friend -- The spectre of the 1930s: George Oppen's Of being numerous and historical amnesia

    Includes bibliographical references (pages 259-277) and index

    "In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely-Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen-are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry. No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War's repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history." www.loc.gov/catdir/enhancements/fy0666/2006044519-d.html
  5. History, Memory, and the Literary Left
    Modern American Poetry, 1935-1968
    Autor*in: Lowney, John
    Erschienen: 2006; ©2006.
    Verlag:  University of Iowa Press, Iowa City

    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the... mehr

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    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely---Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen---are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry. No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War's repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history. Intro -- Contents -- Acknowledgments and Permissions -- 1. The Janitor's Poems of Every Day: American Poetry and the 1930s -- 2. Buried History: The Popular Front Poetics of Muriel Rukeyser's The Book of the Dead -- 3. Allegories of Salvage: The Peripheral Vision of Elizabeth Bishop's North & South -- 4. Harlem Disc-tortions: The Jazz Memory of Langston Hughes's Montage of a Dream Deferred -- 5. A Reportage and Redemption: The Poetics of African American Countermemory in Gwendolyn Brooks's In the Mecca -- 6. A Metamorphic Palimpsest: The Underground Memory of Thomas McGrath's Letter to an Imaginary Friend -- 7. The Spectre of the 1930s: George Oppen's Of Being Numerous and Historical Amnesia -- Notes -- Bibliography -- Index.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Golding, Alan (MitwirkendeR); Keller, Lynn (MitwirkendeR); Morris, Adalaide Kirby (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781587297335; 1587295083; 9781587295089
    Schriftenreihe: Contemp North American Poetry
    Schlagworte: American poetry; Right and left (Political science) in literature; Poets, American; Depressions; Politics and literature; American poetry ; 20th century ; History and criticism; Depressions ; 1929 ; United States; Poets, American ; 20th century ; Political and social views; Politics and literature ; United States ; History ; 20th century; Right and left (Political science) in literature; Electronic books
    Umfang: 1 online resource (304 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    Contents; Acknowledgments and Permissions; 1. The Janitor's Poems of Every Day: American Poetry and the 1930s; 2. Buried History: The Popular Front Poetics of Muriel Rukeyser's The Book of the Dead; 3. Allegories of Salvage: The Peripheral Vision of Elizabeth Bishop's North & South; 4. Harlem Disc-tortions: The Jazz Memory of Langston Hughes's Montage of a Dream Deferred; 5. A Reportage and Redemption: The Poetics of African American Countermemory in Gwendolyn Brooks's In the Mecca; 6. A Metamorphic Palimpsest: The Underground Memory of Thomas McGrath's Letter to an Imaginary Friend

    7. The Spectre of the 1930s: George Oppen's Of Being Numerous and Historical AmnesiaNotes; Bibliography; Index
  6. History, memory, and the literary left
    modern American poetry, 1935 - 1968
    Autor*in: Lowney, John
    Erschienen: 2006
    Verlag:  Univ. of Iowa Press, Iowa City

    "In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely-Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen-are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry. No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War's repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history." www.loc.gov/catdir/enhancements/fy0666/2006044519-d.html.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1587295083; 9781587295089
    RVK Klassifikation: HU 1769
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: Geschichte; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; Lyrik; Die Linke; Moderne
    Umfang: XII, 287 S.
    Bemerkung(en):

    Includes bibliographical references and index
  7. History, memory, and the literary left
    modern American poetry, 1935 - 1968
    Autor*in: Lowney, John
    Erschienen: 2006
    Verlag:  Univ. of Iowa Press, Iowa City

    "In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the... mehr

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    "In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely-Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen-are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry. No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War's repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history." www.loc.gov/catdir/enhancements/fy0666/2006044519-d.html.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1587295083; 9781587295089
    RVK Klassifikation: HU 1769
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: Geschichte; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; Lyrik; Die Linke; Moderne
    Umfang: XII, 287 S.
    Bemerkung(en):

    Includes bibliographical references and index
  8. History, memory, and the literary left
    modern American poetry, 1935 - 1968
    Autor*in: Lowney, John
    Erschienen: c 2006
    Verlag:  University of Iowa Press, Iowa City

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781587295089; 1587295083
    RVK Klassifikation: HU 1769
    Schriftenreihe: Contemporary North American poetry series
    Schlagworte: American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions; American poetry; Right and left (Political science) in literature; Politics and literature; Poets, American; Depressions
    Umfang: XII, 287 S, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 259 - 277) and index

    The janitor's poems of every day: American poetry and the 1930's -- Buried history: the popular front poetics of Muriel Rukeyser's The book of the dead -- Allegories of salvage: the peripheral vision of Elizabeth Bishop's North & South -- Harlem Disc-tortions: the jazz memory of Langston Hughes's Montage of a dream deferred -- A reportage and Redemption: the poetics of African American countermemory in Gwendolyn Brook's In the Mecca -- A metamorphic palimpsest: the underground memory of Thomas McGrath's Letter to an imaginary friend -- The spectre of the 1930s: George Oppen's Of being numerous and historical amnesia