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  1. The Differentiation of Modernism
    Postwar German Media Arts
    Autor*in: Powell, Larson
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of... mehr

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-1980): in radio plays, film music, and electronic music. The first part of the book begins with a chapteron Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted thecontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008)

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138835
    Schlagworte: Modernism (Literature) / Germany; Modernism (Aesthetics) / Germany; Modernism (Art) / Germany; Künste; Rezeption; Massenmedien; Medienkunst; Moderne
    Umfang: 1 online resource (254 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The differentiation of culture -- The destruction of the symphony: Adorno and American radio -- The war with other media: Bachmann's Der Gute Gott Von Manhattan -- Radio Jelinek: from discourse to Sinthome -- Jokes and their relation to film music -- Allegories of management: Norbert Schultze's soundtrack to Das Mädchen Rosemarie -- Straub and Huillet's music films -- The modulated subject: Stockhausen's Mikrophonie II -- Music beyond theater: Stockhausen's Aus Den Sieben Tagen -- In lieu of a conclusion: Mediating the divide
  2. The Differentiation of Modernism
    Postwar German Media Arts
    Autor*in: Powell, Larson
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-1980): in radio plays, film music, and electronic music. The first part of the book begins with a chapteron Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted thecontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138835
    Schlagworte: Modernism (Literature) / Germany; Modernism (Aesthetics) / Germany; Modernism (Art) / Germany; Künste; Moderne; Medienkunst; Rezeption; Massenmedien
    Umfang: 1 online resource (254 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The differentiation of culture -- The destruction of the symphony: Adorno and American radio -- The war with other media: Bachmann's Der Gute Gott Von Manhattan -- Radio Jelinek: from discourse to Sinthome -- Jokes and their relation to film music -- Allegories of management: Norbert Schultze's soundtrack to Das Mädchen Rosemarie -- Straub and Huillet's music films -- The modulated subject: Stockhausen's Mikrophonie II -- Music beyond theater: Stockhausen's Aus Den Sieben Tagen -- In lieu of a conclusion: Mediating the divide
  3. The Differentiation of Modernism
    Postwar German Media Arts
    Autor*in: Powell, Larson
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of... mehr

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    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-1980): in radio plays, film music, and electronic music. The first part of the book begins with a chapteron Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted thecontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008) The differentiation of culture -- The destruction of the symphony: Adorno and American radio -- The war with other media: Bachmann's Der Gute Gott Von Manhattan -- Radio Jelinek: from discourse to Sinthome -- Jokes and their relation to film music -- Allegories of management: Norbert Schultze's soundtrack to Das Mädchen Rosemarie -- Straub and Huillet's music films -- The modulated subject: Stockhausen's Mikrophonie II -- Music beyond theater: Stockhausen's Aus Den Sieben Tagen -- In lieu of a conclusion: Mediating the divide

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138835
    RVK Klassifikation: AP 19100
    Schlagworte: Modernism (Aesthetics); Modernism (Art); Modernism (Literature); Modernism (Literature) ; Germany; Modernism (Aesthetics) ; Germany; Modernism (Art) ; Germany; Germany ; Civilization ; 20th century
    Umfang: 1 Online-Ressource (254 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. The Differentiation of Modernism
    Postwar German Media Arts
    Autor*in: Powell, Larson
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-1980): in radio plays, film music, and electronic music. The first part of the book begins with a chapteron Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted thecontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008) The differentiation of culture -- The destruction of the symphony: Adorno and American radio -- The war with other media: Bachmann's Der Gute Gott Von Manhattan -- Radio Jelinek: from discourse to Sinthome -- Jokes and their relation to film music -- Allegories of management: Norbert Schultze's soundtrack to Das Mädchen Rosemarie -- Straub and Huillet's music films -- The modulated subject: Stockhausen's Mikrophonie II -- Music beyond theater: Stockhausen's Aus Den Sieben Tagen -- In lieu of a conclusion: Mediating the divide

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138835
    RVK Klassifikation: AP 19100
    Schlagworte: Modernism (Aesthetics); Modernism (Art); Modernism (Literature); Modernism (Literature) ; Germany; Modernism (Aesthetics) ; Germany; Modernism (Art) ; Germany; Germany ; Civilization ; 20th century
    Umfang: 1 Online-Ressource (254 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. The Differentiation of Modernism
    Postwar German Media Arts
    Autor*in: Powell, Larson
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of... mehr

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    After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-1980): in radio plays, film music, and electronic music. The first part of the book begins with a chapteron Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hörspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Mädchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Danièle Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted thecontingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Associate Professor of German at the University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008).

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138835
    RVK Klassifikation: AP 13400 ; AP 13500
    DDC Klassifikation: Sozialwissenschaften (300); Künste; Bildende und angewandte Kunst (700)
    Schlagworte: Massenmedien; Rezeption; Künste; Moderne; Medienkunst; Deutsch; Literatur; Intermedialität
    Umfang: 1 Online-Ressource (254 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)