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  1. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Klassifikation: AP 23211
    Schlagworte: Geschichte; Massenmedien; German literature / 20th century / History and criticism; Mass media / Germany / History / 20th century; Women and literature / Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media; Terroristin; Berichterstattung; Frauenbild; Presse; Gewalttäterin
    Umfang: 1 online resource (x, 225 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman
  2. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Klassifikation: AP 23211
    Schlagworte: Geschichte; Massenmedien; German literature / 20th century / History and criticism; Mass media / Germany / History / 20th century; Women and literature / Germany; Women in literature; Violence in literature; Women in mass media; Violence in mass media; Gewalttäterin; Presse; Frauenbild; Berichterstattung; Terroristin
    Umfang: 1 online resource (x, 225 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman
  3. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571135308; 9781571138378
    RVK Klassifikation: AP 23211
    Schriftenreihe: Studies in German literature, linguistics and culture
    Schlagworte: Geschichte; Massenmedien; German literature; Mass media; Women and literature; Women in literature; Violence in literature; Women in mass media; Violence in mass media; Presse; Gewalttäterin; Berichterstattung; Frauenbild; Terroristin
    Umfang: 1 Online-Ressource (X, 225 S.), Ill.
  4. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

    Zugang:
    Verlag (Inhaltsverzeichnis)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman

     
    Export in Literaturverwaltung   RIS-Format
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  5. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138378
    RVK Klassifikation: AP 16000 ; MS 3010
    DDC Klassifikation: Soziale Probleme und Sozialdienste; Verbände (360); Sozialwissenschaften (300); Publizistische Medien, Journalismus, Verlagswesen (070)
    Schlagworte: Presse; Mörderin; Terroristin; Berichterstattung; Frauenbild; Medien; Weibliche Kriminelle <Motiv>
    Umfang: 1 Online-Ressource (x, 225 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Violent women in print
    representations in the West German print media of the 1960s and 1970s
    Autor*in: Bielby, Clare
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    As the controversy surrounding the release of Uli Edel and Bernd Eichinger's 2008 feature film ‘The Baader Meinhof Complex’ demonstrates, West Germany's terrorist period, which reached its height in the ‘German autumn’ of 1977, is still a fascinating - and troubling - subject. One of the most provocative aspects, still today, is the high proportion of women involved in terrorism, most notoriously Ulrike Meinhof. That the film concentrates on the trajectory of Meinhof's life and mobilizes established and hence reassuring paradigms of femininity in its representation of her (as ‘mother’ and ‘hysterical woman’) suggests that the combination of women and violence is still threatening and that there is still mileage to be had from feminizing the discourse. The present study returns to the West German print media of the 1960s and 1970s and raises questions about the continuing preoccupation with this period. Looking at publications from the right-wing ‘Bild’ to the liberal ‘Der Spiegel’, it explores how violent women - not only terrorists but also others such as the convicted murderer and media femme fatale Vera Brühne - were represented in text and image. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to address the period in Germany at all, despite steadily increasing interest in the UK and the US. Clare Bielby is Lecturer in German Studies at the University of Hull Introduction: women, violence, representation, and West Germany -- The violent woman, motherhood, and the nation -- Hysteria and the feminization of the violent woman -- "Die waffen der frau" (the weapons of women): The violent woman as phallic -- Filth: abjecting the violent female body -- Conclusion: remembering the violent woman

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)