Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 7 von 7.

  1. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism / Germany; Deutsch; Mimesis; Romantik; Literatur
    Weitere Schlagworte: Goethe, Johann Wolfgang von / 1749-1832 / Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Schlegel, Friedrich von (1772-1829): Lucinde; Brentano, Clemens (1778-1842): Godwi
    Umfang: 1 online resource (x, 230 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism
  2. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in german literature, linguistics, and culture
    Schlagworte: Mimesis in literature; Romanticism; Deutsch; Literatur; Romantik; Mimesis
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Brentano, Clemens (1778-1842): Godwi; Schlegel, Friedrich von (1772-1829): Lucinde
    Umfang: 1 Online-Ressource (X, 220 S.)
    Bemerkung(en):

    Includes bibliographical references and index
  3. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism / Germany; Deutsch; Mimesis; Romantik; Literatur
    Weitere Schlagworte: Goethe, Johann Wolfgang von / 1749-1832 / Wilhelm Meisters Lehrjahre; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Novalis (1772-1801): Heinrich von Ofterdingen; Brentano, Clemens (1778-1842): Godwi; Schlegel, Friedrich von (1772-1829): Lucinde
    Umfang: 1 online resource (x, 230 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism
  4. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Wilhelm Meisters Lehrjahre; Mimesis in literature; Romanticism ; Germany
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre
    Umfang: 1 Online-Ressource (x, 230 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Mimesis; Romantik; Literatur; Deutsch
    Weitere Schlagworte: Novalis (1772-1801): Heinrich von Ofterdingen; Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre; Schlegel, Friedrich von (1772-1829): Lucinde; Brentano, Clemens (1778-1842): Godwi
    Umfang: 1 Online-Ressource (x, 230 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

    Includes bibliographical references and index Mimesis is one of the most important concepts in 18th-century German literary aesthetics. Yet as the century progressed, classical mimeticism came increasingly under attack by the Romantics. Much recent... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Includes bibliographical references and index Mimesis is one of the most important concepts in 18th-century German literary aesthetics. Yet as the century progressed, classical mimeticism came increasingly under attack by the Romantics. Much recent scholarship sees Early German Romanticism's refutation of mimeticism as its single distinguishing trait and the Romantics' conception of art as the very negation of the ideal of imitation. It views the Romantics as having seen art as production ('poiesis'): imaginative, musical, transcendent. 'Metamimesis' not only problematizes such a view, but also shows that reflections on mimesis are founda

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in german literature, linguistics, and culture
    Schlagworte: Goethe, Johann Wolfgang von; Romantik; Literatur; Deutsch; Mimesis;
    Umfang: X, 220 S.
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Frontcover; Contents; Acknowledgments; Introduction; 1: Romanticism, Mimesis, and the Novel; 2: Double-Entry Imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre; 3: Imitation and Indolence: Friedrich Schlegel's Lucinde; 4: Imitation and Simulation: Novalis's Heinrich von Ofterdingen; 5: Beyond Romantic Representation: Clemens Brentano's Godwi; Conclusions: Mimesis and the Critical Politics of Romanticism; Bibliography; Index; Backcover;
  7. Metamimesis
    imitation in Goethe's Wilhelm Meisters Lehrjahre and early German romanticism
    Autor*in: Pirholt, Mattias
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works... mehr

    Standort:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Peace Research Institute Frankfurt, Bibliothek
    Signatur:
    E-Book CUP HSFK
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    eBook Cambridge
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Rostock
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden Romanticism, mimesis, and the novel -- Double-entry imagery: Johann Wolfgang Goethe's Wilhelm Meisters Lehrjahre -- Imitation and indolence: Friedrich Schlegel's Lucinde -- Imitation and simulation: Novalis's Heinrich von Ofterdingen -- Beyond romantic representation: Clemens Brentano's Godwi -- Conclusions: mimesis and the critical politics of Romanticism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138330
    RVK Klassifikation: GK 4675
    Schlagworte: Mimesis in literature; Romanticism; Goethe, Johann Wolfgang von ; 1749-1832 ; Wilhelm Meisters Lehrjahre; Mimesis in literature; Romanticism ; Germany
    Weitere Schlagworte: Goethe, Johann Wolfgang von (1749-1832): Wilhelm Meisters Lehrjahre
    Umfang: 1 Online-Ressource (x, 230 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)