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  1. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German poetry / 20th century / History and criticism; German literature / 20th century / Themes, motives; Nature in literature; Modernism (Aesthetics); Natur <Motiv>; Lyrik
    Weitere Schlagworte: Rilke, Rainer Maria (1875-1926); Döblin, Alfred (1878-1957); Brecht, Bertolt (1898-1956); Benn, Gottfried (1886-1956)
    Umfang: 1 online resource (256 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric
  2. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature - 20th century - Themes, motives; German poetry - 20th century - History and criticism; Modernism (Aesthetics); Nature in literature; Natur <Motiv>; Lyrik
    Weitere Schlagworte: Brecht, Bertolt (1898-1956); Benn, Gottfried (1886-1956); Döblin, Alfred (1878-1957); Rilke, Rainer Maria (1875-1926)
    Umfang: 1 Online-Ressource (256 S.)
  3. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German poetry / 20th century / History and criticism; German literature / 20th century / Themes, motives; Nature in literature; Modernism (Aesthetics); Natur <Motiv>; Lyrik
    Weitere Schlagworte: Rilke, Rainer Maria (1875-1926); Döblin, Alfred (1878-1957); Brecht, Bertolt (1898-1956); Benn, Gottfried (1886-1956)
    Umfang: 1 online resource (256 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric
  4. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German literature; Nature in literature; Modernism (Aesthetics); German poetry; German poetry ; 20th century ; History and criticism; German literature ; 20th century ; Themes, motives; Nature in literature; Modernism (Aesthetics)
    Umfang: 1 Online-Ressource (256 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  5. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 2394 ; GM 5165 ; GM 1600 ; GM 2660 ; GM 2986
    Schlagworte: Natur <Motiv>
    Weitere Schlagworte: Döblin, Alfred (1878-1957); Rilke, Rainer Maria (1875-1926); Benn, Gottfried (1886-1956); Brecht, Bertolt (1898-1956)
    Umfang: 1 Online-Ressource (256 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Erschienen: 2008
    Verlag:  Camden House, Rochester, NY

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571133828; 9781571138071; 9781571133823
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Modernism (Aesthetics); Nature in literature; German poetry; German literature
    Umfang: 256 S.
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    The limits of technocracyRilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric.
  7. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Autor*in: Powell, Larson
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... mehr

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    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Klassifikation: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Schlagworte: German literature; Nature in literature; Modernism (Aesthetics); German poetry; German poetry ; 20th century ; History and criticism; German literature ; 20th century ; Themes, motives; Nature in literature; Modernism (Aesthetics)
    Umfang: 1 Online-Ressource (256 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)