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  1. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Klassifikation: GN 1701
    Schlagworte: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Literatur; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Deutsch
    Umfang: 1 online resource (257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781571134233; 1571134239; 9781571137463
    RVK Klassifikation: GN 1701
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Deutsch; Geschlechterrolle <Motiv>; Literatur
    Umfang: 1 Online-Ressource (257 S.)
  3. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Klassifikation: GN 1701
    Schlagworte: German literature / 20th century / History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature; Geschlecht <Motiv>; Geschlechterrolle <Motiv>; Literatur; Deutsch
    Umfang: 1 online resource (257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  ebrary, Palo Alto, Calif. ; Camden House, Rochester, NY

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571134233; 1571134239; 9781571137463
    RVK Klassifikation: GN 1701
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature; Sex (Psychology) in literature; Identity (Psychology) in literature; Literatur; Geschlecht <Motiv>; Deutsch; Geschlechterrolle <Motiv>
    Umfang: 1 Online-Ressource (257 S.)
  5. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Camden House, Rochester, N.Y

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 128279566X; 9781282795662; 9781571137463
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature
    Umfang: Online-Ressource (257 p)
    Bemerkung(en):

    Includes bibliographical references and index

    ""Contents""; ""Acknowledgments""; ""Note on the Translations""; ""Introduction""; ""Part I: Gender, Subjectivity, and the Cultural Critique of Modernity: Twentieth- Century Perspectives""; ""1: Gender, Subjectivity, and Cultural Critique from the Fin de Si�cle to Fascism""; ""2: The Post-1945 Crisis of Enlightenment and the Emergence of the “ Other� Sex""; ""Part II: Readings in Post-1945 German Literature""; ""3: Challenging Masculine Subjectivity: Ingeborg Bachmann�s Malina""; ""4: From His Point of View: Max Frisch�s Mein Name sei Gantenbein""

    ""5: The Critique of Instrumental Reason: Max Frisch�s Homo faber and Christa Wolf�s Störfall""""6: Pathologies: Elfriede Jelinek�s Die Klavierspielerin and Rainald Goetz�s Irre""; ""7: End Visions: Heiner M�ller�s Die Hamletmaschine and Christa Wolf�s Kassandra""; ""8: Beyond the Impasse?: Barbara Köhler�s “ Elektra. Spiegelungen�""; ""Bibliography""; ""Index""
  6. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Peace Research Institute Frankfurt, Bibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Klassifikation: GN 1411
    Schlagworte: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature; German literature ; 20th century ; History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature
    Umfang: 1 Online-Ressource (257 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Gender, subjectivity, and cultural critique from the fin de siècle to fascism -- The post-1945 crisis of enlightenment and the emergence of the "other" sex -- Challenging masculine subjectivity : Ingeborg Bachmann's Malina -- From his point of view : Max Frisch's Mein Name sei Gantenbein -- The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall -- Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre -- End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra -- Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."
  7. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Klassifikation: GN 1411
    Schlagworte: Sex (Psychology) in literature; Identity (Psychology) in literature; German literature; German literature ; 20th century ; History and criticism; Sex (Psychology) in literature; Identity (Psychology) in literature
    Umfang: 1 Online-Ressource (257 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Gender, subjectivity, and cultural critique from the fin de siècle to fascism -- The post-1945 crisis of enlightenment and the emergence of the "other" sex -- Challenging masculine subjectivity : Ingeborg Bachmann's Malina -- From his point of view : Max Frisch's Mein Name sei Gantenbein -- The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall -- Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre -- End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra -- Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."
  8. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics - conscious subjective agency, rational control and self-containment, the subjugation of nature - and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations - nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and 'phallocentric,' in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel 'Malina' (1971) and Max Frisch's 'Mein Name sei Gantenbein' (1964); Frisch's 'Homo Faber' (1957) and Christa Wolf's 'Störfall' (1987); Elfriede Jelinek's 'Die Klavierspielerin' and Rainald Goetz's 'Irre' (both 1983); and Heiner Müller's 'Die Hamletmaschine' (1977) and Christa Wolf's 'Kassandra' (1983). Finally, Barbara Köhler's eight-poem cycle 'Elektra. Spiegelungen' (written 1984-85; published 1991) is considered as offering a way past the 'impasse' of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463
    RVK Klassifikation: GN 1701 ; GN 1411
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Literatur; Geschlechterrolle <Motiv>; Geschlecht <Motiv>
    Weitere Schlagworte: Frisch, Max (1911-1991): Mein Name sei Gantenbein; Frisch, Max (1911-1991): Homo Faber; Wolf, Christa (1929-2011): Störfall; Jelinek, Elfriede (1946-): Die Klavierspielerin; Goetz, Rainald (1954-): Irre; Müller, Heiner (1929-1995): Die Hamletmaschine; Wolf, Christa (1929-2011): Kassandra; Köhler, Barbara (1959-2021)
    Umfang: 1 Online-Ressource (257 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  9. Perspectives on gender in post-1945 German literature
    Autor*in: Paul, Georgina
    Erschienen: 2009
    Verlag:  Camden House, Rochester, N.Y

    Recent studies of German modernity have tended to approach the subject from either a uniquely masculine or uniquely feminine viewpoint. In this work however, Georgina Paul examines these two gendered perspectives side-by-side via a sequence of... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

     

    Recent studies of German modernity have tended to approach the subject from either a uniquely masculine or uniquely feminine viewpoint. In this work however, Georgina Paul examines these two gendered perspectives side-by-side via a sequence of readings of major, thematically related German literary texts by both male and female authors

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137463; 1571137467
    RVK Klassifikation: GN 1701
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: German literature; Sex (Psychology) in literature; Identity (Psychology) in literature; Littérature allemande - 20e siècle - Histoire et critique; Sexualité (Psychologie) dans la littérature; Identité (Psychologie) dans la littérature; LITERARY CRITICISM - European - French; LITERARY CRITICISM - European - German; German literature; Identity (Psychology) in literature; Sex (Psychology) in literature; Geschlechtsrolle - Deutsche Literatur - Geschichte 1945 ff; Deutsche Literatur - Geschlechtsrolle - Geschichte 1945 ff; Tysk litteratur - historia - 1900-talet; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (257 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 237-250) and index

    Gender, subjectivity, and cultural critique from the fin de siècle to fascism -- The post-1945 crisis of enlightenment and the emergence of the "other" sex -- Challenging masculine subjectivity : Ingeborg Bachmann's Malina -- From his point of view : Max Frisch's Mein Name sei Gantenbein -- The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Störfall -- Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre -- End visions : Heiner Müller's Die Hamletmaschine and Christa Wolf's Kassandra -- Beyond the impasse? : Barbara Köhler's "Elektra. Spiegelungen."