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  1. Screening war
    perspectives on German suffering
    Beteiligt: Cooke, Paul (Hrsg.); Silberman, Marc (Hrsg.)
    Erschienen: 2010
    Verlag:  Camden House, Rochester, N.Y.

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Cooke, Paul (Hrsg.); Silberman, Marc (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137142
    Weitere Identifier:
    RVK Klassifikation: AP 44910 ; AP 52700
    Schriftenreihe: Screen cultures
    Schlagworte: World War, 1939-1945 / Motion pictures and the war; War films / Germany / History / 20th century; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures; Opfer <Sozialpsychologie, Motiv>; Deutschlandbild; Film; Zweiter Weltkrieg <Motiv>; Psychisches Trauma <Motiv>
    Umfang: 1 Online-Ressource (vi, 304 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Feb 2023)

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan
  2. Screening war
    perspectives on German suffering
    Beteiligt: Cooke, Paul (Herausgeber); Silberman, Marc (Herausgeber)
    Erschienen: 2010
    Verlag:  Camden House, Rochester, N.Y. ; Cambridge University Press, Cambridge, UK

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Cooke, Paul (Herausgeber); Silberman, Marc (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137142
    RVK Klassifikation: AP 52700 ; AP 44910
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Opfer <Religion, Motiv>; Weltkrieg <1939-1945>; Trauma; Film; Deutschlandbild; Zweiter Weltkrieg <Motiv>; Opfer <Sozialpsychologie, Motiv>; Psychisches Trauma <Motiv>; World War, 1939-1945; War films; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures
    Umfang: 1 Online-Ressource (vi, 304 pages)