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  1. The muzzled muse
    literature and censorship in South Africa
    Erschienen: ©1997
    Verlag:  John Benjamins Pub. Co., Amsterdam [The Netherlands]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1282162349; 1556194315; 1556194323; 9027222207; 9027222215; 9027298009; 9781282162341; 9781556194313; 9781556194320; 9789027222206; 9789027222213; 9789027298003
    Schriftenreihe: Utrecht publications in general and comparative literature ; v. 32
    Schlagworte: Literatura sudafricana (Inglés) / Historia y crítica; Literatura Afrikaans / Historia y crítica; Literatura comparada / Inglesa y Afrikaans; Literatura comparada / Afrikaans e inglesa; Censura / Sudáfrica; Letterkunde; Engels; Afrikaans; Censuur; Englisch; Literatur; Comparative literature; South African literature (English); South African literature (English); Afrikaans literature; Comparative literature; Comparative literature; Censorship; Literatur; Zensur
    Umfang: 1 Online-Ressource (xii, 181 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 171-178) and index

    A critical assessment of literature produced under censorship needs to take into account that the strategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary to know the specific restrictions of the censorship regime in question. In South Africa under apartheid all writers were confronted with the question of how to respond to the pressure of censorship. This confrontation took a different form however, depending on what group the writer belonged to and what language he/she used. By looking at white writers writing in Afrikaans and white and black writers writing in English, this book gives the impact of censorship on South African literature a comparative examination which it has not received before. The book considers works by J.M. Coetzee, Nadine Gordimer, Andre Brink, and others less known to readers outside South Africa like Karel Schoeman, Louis Kruger, Christopher Hope, Miriam Tlali and Mtutuzeli Matshoba. It treats the censorship laws of the apartheid regime as well as, in the final chapter, the new law of the Mandela government which shows some surprising similarities to its predecessor

    THE MUZZLED MUSE; Editorial page; Title page; LCC data; Acknowledgements; Table of Contents; Preface; Introduction; Chapter 1. South Africa and Censorship; Chapter 2. The Application of the Publications Act; Chapter 3 Censorship and Afrikaans Literature; Chapter 4. Afrikaans Authors and Censorship; Chapter 5. Censorship and White English Literature; Chapter 6. English Authors and Censorship; Chapter 7. Censorship and Black Literature in English; Chapter 8. Black Authors and Censorship; Chapter 9. Censorship in a Democratic South Africa; Conclusion; References; Index

  2. The muzzled muse
    literature and censorship in South Africa
    Erschienen: (c)1997
    Verlag:  John Benjamins Pub. Co, Amsterdam [The Netherlands]

    A critical assessment of literature produced under censorship needs to take into account that the strategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary... mehr

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    A critical assessment of literature produced under censorship needs to take into account that the strategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary to know the specific restrictions of the censorship regime in question. In South Africa under apartheid all writers were confronted with the question of how to respond to the pressure of censorship. This confrontation took a different form however, depending on what group the writer belonged to and what language he/she used. By looking at white writers writing in Afrikaans and white and black writers writing in English, this book gives the impact of censorship on South African literature a comparative examination which it has not received before. The book considers works by J.M. Coetzee, Nadine Gordimer, Andre Brink, and others less known to readers outside South Africa like Karel Schoeman, Louis Kruger, Christopher Hope, Miriam Tlali and Mtutuzeli Matshoba. It treats the censorship laws of the apartheid regime as well as, in the final chapter, the new law of the Mandela government which shows some surprising similarities to its predecessor

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt