Verlag:
University of Minnesota Press, Minneapolis ; London
"Bert Winther-Tamaki explores how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi (earthy materials such as soil and clay) as a convergence point for a wide range of...
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"Bert Winther-Tamaki explores how Japanese artists have continually sought a passionate and redemptive engagement with earth. By focusing on the role of tsuchi (earthy materials such as soil and clay) as a convergence point for a wide range of creative practices, this book offers a critical reassessment of contemporary art in Japan and its intrinsic relationship to the environment"--
306 Seiten, 4 ungezählte Seiten Tafeln,
Illustrationen,
25,3 cm
Bemerkung(en):
Postwar silos of tsuchi media. Ceramics : earth flavor in fired clay -- Photography : soil conditions in the lens -- Avant-garde actions : wrestling and digging earthy materials -- Convergence and proliferation since the 1980s. The bubble and its aftermath : containment of spillage and blast -- Earth diving before and after the triple disaster -- Epilogue : tsuchi in the contaminated world to come
