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  1. The materiality of architecture
    Autor*in: Picon, Antoine
    Erschienen: [2020]
    Verlag:  University of Minnesota Press, Minneapolis

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code.... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may-or may not-be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability-the otherness-of raw materials work against humanity's need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era."

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781517909482; 1517909473; 9781517909475; 1517909481
    Schlagworte: Ästhetik; CAD; Architektur; Baustoff
    Weitere Schlagworte: Architecture / Philosophy; Architecture and anthropology; Architecture and anthropology; Architecture / Philosophy
    Umfang: 183 Seiten, Illustrationen
    Bemerkung(en):

    Introduction : matter, materials, materiality -- From making to expression -- Architecture and language : an incomplete encounter -- Animation and materiality -- Architectural history and regimes of materiality -- Architecture and materiality in the digital era -- Conclusion. Situations and décors : toward a politics of architectural materiality

  2. The materiality of architecture
    Autor*in: Picon, Antoine
    Erschienen: [2020]
    Verlag:  University of Minnesota Press, Minneapolis

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code.... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may-or may not-be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability-the otherness-of raw materials work against humanity's need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era."

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781517909482; 1517909473; 9781517909475; 1517909481
    Schlagworte: Ästhetik; CAD; Architektur; Baustoff
    Weitere Schlagworte: Architecture / Philosophy; Architecture and anthropology; Architecture and anthropology; Architecture / Philosophy
    Umfang: 183 Seiten, Illustrationen
    Bemerkung(en):

    Introduction : matter, materials, materiality -- From making to expression -- Architecture and language : an incomplete encounter -- Animation and materiality -- Architectural history and regimes of materiality -- Architecture and materiality in the digital era -- Conclusion. Situations and décors : toward a politics of architectural materiality

  3. The materiality of architecture
    Autor*in: Picon, Antoine
    Erschienen: [2020]
    Verlag:  University of Minnesota Press, Minneapolis

    Kunsthistorisches Institut, Abteilung Architekturgeschichte, Bibliothek
    KUNAR/0000221
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781517909482; 1517909473; 9781517909475; 1517909481
    Schlagworte: Baustoff; Architektur; Ästhetik; CAD
    Umfang: 183 Seiten, Illustrationen
  4. <<The>> materiality of architecture
    Autor*in: Picon, Antoine
    Erschienen: [2020]
    Verlag:  University of Minnesota Press, Minneapolis

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code.... mehr

     

    "A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may-or may not-be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability-the otherness-of raw materials work against humanity's need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era."

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781517909482; 1517909473; 9781517909475; 1517909481
    Schlagworte: Architektur; Baustoff; CAD; Ästhetik; Geschichte;
    Weitere Schlagworte: Architecture / Philosophy; Architecture and anthropology; Architecture and anthropology; Architecture / Philosophy
    Umfang: 183 Seiten, Illustrationen, 21,5 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite 159-176

    Introduction : matter, materials, materiality -- From making to expression -- Architecture and language : an incomplete encounter -- Animation and materiality -- Architectural history and regimes of materiality -- Architecture and materiality in the digital era -- Conclusion. Situations and décors : toward a politics of architectural materiality

  5. <<The>> materiality of architecture
    Autor*in: Picon, Antoine
    Erschienen: [2020]
    Verlag:  University of Minnesota Press, Minneapolis

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781517909482; 1517909473; 9781517909475; 1517909481
    Schlagworte: Architektur; Baustoff; CAD; Ästhetik; Geschichte
    Umfang: 183 Seiten, Illustrationen