Filtern nach
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 3 von 3.

  1. The peculiar afterlife of slavery
    the Chinese worker and the minstrel form
    Erschienen: [2020]
    Verlag:  Stanford University Press, Stanford

    Introduction : the Chinese question in the early afterlife of slavery -- "Earliest pioneers" of white literature of the West during Reconstruction. The "heathen Chinee" and Topsy in Bret Harte's narratives of the West -- Mark Twain's Chinese... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 94661
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Anglistisches Seminar der Universität, Bibliothek
    F VK 2011
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    PD 250.071
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : the Chinese question in the early afterlife of slavery -- "Earliest pioneers" of white literature of the West during Reconstruction. The "heathen Chinee" and Topsy in Bret Harte's narratives of the West -- Mark Twain's Chinese characters and the fungibility of blackness -- Ambrose Bierce's critique of blackface minstrelsy and anti-Chinese racism -- "Pioneers" of Asian American and African American literatures at the turn of the twentieth century. Representations of gender and slavery in Sui Sin Far's early fictions -- Reading the minstrel tradition and U.S. empire through Charles Chesnutt's The marrow of tradition The Peculiar Afterlife of Slavery explores how anti-black racism was recalibrated and perpetuated through the figure of the non-black Chinese worker in US literature after emancipation. By drawing connections between the form of blackface minstrelsy and the figure of the Chinese worker in Reconstruction-era and late 19th-century US literature, Caroline Yang reveals the ways in which antiblackness structured US cultural production, particularly at a crucial moment of reconstructing and re-narrating US empire after the Civil War. Drawing on early writings by Bret Harte, Mark Twain, Ambrose Bierce, Edith Eaton (Sui Sin Far), and Charles Chesnutt, writers who remain among the most celebrated from the Reconstruction period, Yang reassesses these authors' complex and often contradictory positions on race and labor. This study suggests that the figure of the Chinese worker allows us to see an inextricable link between not just US literature and US empire, but also the indispensable role of antiblackness as a cultural form in the United States"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503612051; 9781503610378
    RVK Klassifikation: MS 1660
    Schriftenreihe: Asian America
    Schlagworte: American literature; Foreign workers, Chinese, in literature; Minstrels in literature; Race in literature; Racism in literature
    Umfang: xiii, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. The peculiar afterlife of slavery
    the Chinese worker and the minstrel form
    Erschienen: [2020]
    Verlag:  Stanford University Press, Stanford

    Introduction : the Chinese question in the early afterlife of slavery -- "Earliest pioneers" of white literature of the West during Reconstruction. The "heathen Chinee" and Topsy in Bret Harte's narratives of the West -- Mark Twain's Chinese... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : the Chinese question in the early afterlife of slavery -- "Earliest pioneers" of white literature of the West during Reconstruction. The "heathen Chinee" and Topsy in Bret Harte's narratives of the West -- Mark Twain's Chinese characters and the fungibility of blackness -- Ambrose Bierce's critique of blackface minstrelsy and anti-Chinese racism -- "Pioneers" of Asian American and African American literatures at the turn of the twentieth century. Representations of gender and slavery in Sui Sin Far's early fictions -- Reading the minstrel tradition and U.S. empire through Charles Chesnutt's The marrow of tradition The Peculiar Afterlife of Slavery explores how anti-black racism was recalibrated and perpetuated through the figure of the non-black Chinese worker in US literature after emancipation. By drawing connections between the form of blackface minstrelsy and the figure of the Chinese worker in Reconstruction-era and late 19th-century US literature, Caroline Yang reveals the ways in which antiblackness structured US cultural production, particularly at a crucial moment of reconstructing and re-narrating US empire after the Civil War. Drawing on early writings by Bret Harte, Mark Twain, Ambrose Bierce, Edith Eaton (Sui Sin Far), and Charles Chesnutt, writers who remain among the most celebrated from the Reconstruction period, Yang reassesses these authors' complex and often contradictory positions on race and labor. This study suggests that the figure of the Chinese worker allows us to see an inextricable link between not just US literature and US empire, but also the indispensable role of antiblackness as a cultural form in the United States"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503612051; 9781503610378
    RVK Klassifikation: MS 1660
    Schriftenreihe: Asian America
    Schlagworte: American literature; Foreign workers, Chinese, in literature; Minstrels in literature; Race in literature; Racism in literature
    Umfang: xiii, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  3. The peculiar afterlife of slavery
    the Chinese worker and the minstrel form
    Erschienen: [2020]; © 2020
    Verlag:  Stanford University Press, Stanford, California

    The Peculiar Afterlife of Slavery explores how anti-black racism was recalibrated and perpetuated through the figure of the non-black Chinese worker in US literature after emancipation. By drawing connections between the form of blackface minstrelsy... mehr

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    13/HT 1691 Y22
    keine Fernleihe
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    813.395073 YAN
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Peculiar Afterlife of Slavery explores how anti-black racism was recalibrated and perpetuated through the figure of the non-black Chinese worker in US literature after emancipation. By drawing connections between the form of blackface minstrelsy and the figure of the Chinese worker in Reconstruction-era and late 19th-century US literature, Caroline Yang reveals the ways in which antiblackness structured US cultural production, particularly at a crucial moment of reconstructing and re-narrating US empire after the Civil War. Drawing on early writings by Bret Harte, Mark Twain, Ambrose Bierce, Edith Eaton (Sui Sin Far), and Charles Chesnutt, writers who remain among the most celebrated from the Reconstruction period, Yang reassesses these authors' complex and often contradictory positions on race and labor. This study suggests that the figure of the Chinese worker allows us to see an inextricable link between not just US literature and US empire, but also the indispensable role of antiblackness as a cultural form in the United States.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503612051; 9781503610378
    RVK Klassifikation: MS 1660 ; HT 1691
    Schriftenreihe: Asian America
    Schlagworte: Literatur; Rassismus; Minstrel show; Blackfacing
    Umfang: xiii, 280 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Literaturangaben