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  1. The Gendering of Melancholia
    Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature
    Erschienen: [2018]; © 1992
    Verlag:  Cornell University Press, Ithaca, NY

    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance... mehr

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    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed.The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history

     

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    Format: Online
    ISBN: 9781501718373
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    Schlagworte: LITERARY CRITICISM / Renaissance; Depression, Mental, in literature; Feminism and literature; Loss (Psychology) in literature; Psychoanalysis and literature; Trauer <Motiv>; Melancholie <Motiv>; Depression <Motiv>; Frau <Motiv>; Literatur
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  2. The Gendering of Melancholia
    Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature
    Erschienen: [2018]
    Verlag:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Preface -- Introduction -- Chapter 1. The Gendering of Freud’s “Mourning and Melancholia” -- Chapter 2. Black Humor? Gender and Genius in the Melancholic Tradition -- Chapter 3. Appropriating the Work of Women’s Mourning:... mehr

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    Frontmatter -- Contents -- Preface -- Introduction -- Chapter 1. The Gendering of Freud’s “Mourning and Melancholia” -- Chapter 2. Black Humor? Gender and Genius in the Melancholic Tradition -- Chapter 3. Appropriating the Work of Women’s Mourning: From Petrarch to Gaspara Stampa, and from Isabella di Morra to Tasso -- Chapter 4. Soverchia maninconia: Tasso’s Hydra -- Chapter 5. Mourning the Phallus? (Hamlet, Burton, Lacan and “Others”) -- Index The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed.The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501718373
    Weitere Identifier:
    Schlagworte: Depression, Mental, in literature; Feminism and literature; Loss (Psychology) in literature; Psychoanalysis and literature; LITERARY CRITICISM / Renaissance
    Umfang: 1 Online-Ressource
  3. The Gendering of Melancholia
    Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature
    Erschienen: [2018]; © 1992
    Verlag:  Cornell University Press, Ithaca, NY

    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance... mehr

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    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed.The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501718373
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Renaissance; Depression, Mental, in literature; Feminism and literature; Loss (Psychology) in literature; Psychoanalysis and literature; Trauer <Motiv>; Melancholie <Motiv>; Depression <Motiv>; Frau <Motiv>; Literatur
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  4. The Gendering of Melancholia
    Feminism, Psychoanalysis, and the Symbolics of Loss in Renaissance Literature
    Erschienen: [1992]
    Verlag:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance... mehr

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    The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature.Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed.The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501718373
    Weitere Identifier:
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  5. The gendering of melancholia
    feminism, psychoanalysis, and the symbolics of loss in Renaissance literature
    Erschienen: 1992
    Verlag:  Cornell University Press, Ithaca

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