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  1. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: ©2021; [2021]
    Verlag:  Bloomsbury Academic, New York

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and... mehr

     

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--(Provided by publisher.)

     
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  2. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, New York

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501369902
    Schriftenreihe: New directions in German studies ; vol. 32
    Schlagworte: Grotesque in art; Grotesque in literature; Science in art; Science in literature; Avant-garde (Aesthetics); German literature; Literature, Experimental
    Umfang: xi, 260 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 224-254
  3. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, New York

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2021:3174:
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2021 C 2306
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    keine Fernleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501369902
    Schriftenreihe: New directions in German studies ; vol. 32
    Schlagworte: Grotesque in art; Grotesque in literature; Science in art; Science in literature; Avant-garde (Aesthetics); German literature; Literature, Experimental
    Umfang: xi, 260 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 224-254
  4. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: 2023
    Verlag:  Bloomsbury Academic, New York

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2023/3776
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 GM 1612 H111
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501369940; 9781501369902
    Weitere Identifier:
    9781501369940
    RVK Klassifikation: GM 1612
    Auflage/Ausgabe: Paperback edition
    Schriftenreihe: New directions in German studies ; vol.32
    Schlagworte: Art, German; Dadaism; Grotesque in art
    Umfang: xi, 260 Seiten, 22 cm
    Bemerkung(en):

    Originally published: 2021

    Bibliografie Seite 224-254, Index Seite 255-260
  5. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London

    Grotesque Visions focuses on the radical avantgarde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoech as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science.... mehr

    Standort:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Grotesque Visions focuses on the radical avantgarde interventions of Salomo Friedlander (aka Mynona), Til Brugman, and Hannah Hoech as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedlander/Mynona, Brugman, Hoech, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siecle.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Meyer, Imke (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501369902
    Weitere Identifier:
    9781501369902
    Schriftenreihe: New Directions in German Studies
    Schlagworte: Wissenschaft; Rezeption; Dadaismus; Künste; Ästhetik; Das Groteske
    Umfang: xi, 260 Seiten, Illustrationen, 21,6 cm