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Intro -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction to The Acoustics of the Social on Page and Screen -- Part I: Sound Practice across Media -- Chapter 1: Listening in Print1 -- Chapter 2: When a Poem "Sounds" through the Body -- Chapter 3: Practices of Unmixing: Film Aesthetics, Sound, and the New Hollywood Cinema -- Part II: Soundtracks of Collective Memory -- Chapter 4: Voice and Wake: Susan Howe, M. NourbeSe Philip, and the Ecology of Echology -- Chapter 5: Reframing Indigenous Sonic Archives: Jeremy Dutcher and the Cultural Politics of Refusal -- Chapter 6: Unsettled Scores: Listening to Black Oklahoma on the American "Frontier" -- Part III: Social Acoustics and Politics of Sound -- Chapter 7: The Operator and the Final Girl: Gender, Genre, and Black Sonic Labor in The Call -- Chapter 8: Bohemian Like You: The Construction of Cool Sound Collectives in Serial Television -- Chapter 9: Sonic Sites of Subversion: Listening and the Politics of Place in Karen Tei Yamashita's Tropic of Orange -- Chapter 10: From "Dead Spots" to "Hot Spots": Ann Petry's "On Saturday the Siren Sounds at Noon" 1 -- Contributors -- Index
<<The>> acoustics of the social on page and screen