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  1. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Publishing, London

    Introduction -- Part 1: Autocratic Masculinity -- 1. Karl Briullov: Fathers, Brothers, Husbands, and Sons -- 2. Pavel Fedotov: Comrade-Captain-Artist -- Part 2: Homosociality and Homoeroticism -- 3. Aleksandr A. Ivanov: Desire and the Male Nude -- 4.... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- Part 1: Autocratic Masculinity -- 1. Karl Briullov: Fathers, Brothers, Husbands, and Sons -- 2. Pavel Fedotov: Comrade-Captain-Artist -- Part 2: Homosociality and Homoeroticism -- 3. Aleksandr A. Ivanov: Desire and the Male Nude -- 4. The Artel of Artists: Envisioning the Bonds of Men -- Part 3: Modern Women and their Wounded Men -- 5. Ivan Kramskoi: Painting Women-Known and Unknown -- 6. Ilia Repin: On Masculine Vulnerability -- Conclusion -- Selected Bibliography -- Index. "There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Aleksandr A. Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501341809; 9781501341823; 9781501341793
    Weitere Identifier:
    Schlagworte: Masculinity in art; Modernism (Art); Painting, Russian; Art and society; Men in art; Painting, Russian; Art and society
    Umfang: 1 Online-Ressource (xvi, 280 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  2. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Publishing, London

    Introduction -- Part 1: Autocratic Masculinity -- 1. Karl Briullov: Fathers, Brothers, Husbands, and Sons -- 2. Pavel Fedotov: Comrade-Captain-Artist -- Part 2: Homosociality and Homoeroticism -- 3. Aleksandr A. Ivanov: Desire and the Male Nude -- 4.... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Introduction -- Part 1: Autocratic Masculinity -- 1. Karl Briullov: Fathers, Brothers, Husbands, and Sons -- 2. Pavel Fedotov: Comrade-Captain-Artist -- Part 2: Homosociality and Homoeroticism -- 3. Aleksandr A. Ivanov: Desire and the Male Nude -- 4. The Artel of Artists: Envisioning the Bonds of Men -- Part 3: Modern Women and their Wounded Men -- 5. Ivan Kramskoi: Painting Women-Known and Unknown -- 6. Ilia Repin: On Masculine Vulnerability -- Conclusion -- Selected Bibliography -- Index. "There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia's Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Aleksandr A. Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501341809; 9781501341823; 9781501341793
    Weitere Identifier:
    Schlagworte: Masculinity in art; Modernism (Art); Painting, Russian; Art and society; Painting, Russian; Art and society; Men in art
    Umfang: 1 Online-Ressource (xvi, 280 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  3. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2020:5560:
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2020 C 3358
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    LO 80440 LEI
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501341793
    Schlagworte: Masculinity in art; Modernism (Art); Painting, Russian; Art and society
    Umfang: xv, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke

  4. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/EPG 2020 B
    keine Fernleihe

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781501341793
    Schlagworte: Malerei; Männerbild; Bildnis; Mann; Mann <Motiv>; Kunst
    Weitere Schlagworte: Masculinity in art; Modernism (Art) / Russia; Painting, Russian / 19th century / Themes, motives; Art and society / Russia / History / 19th century
    Umfang: xv, 16 ungezählte Seiten, 280 Seiten, Illustrationen
    Bemerkung(en):

    Enthält bibliografische Angaben und Index

  6. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Kunst- und Museumsbibliothek der Stadt Köln
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501341793
    Schlagworte: Masculinity in art; Modernism (Art) / Russia; Painting, Russian / 19th century / Themes, motives; Art and society / Russia / History / 19th century
    Umfang: xv, 16 ungezählte Seiten, 280 Seiten, Illustrationen
    Bemerkung(en):

    Enthält bibliografische Angaben und Index

  7. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781501341793
    Schlagworte: Masculinity in art; Modernism (Art); Painting, Russian; Art and society
    Umfang: xv, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke

  8. Picturing Russia's men
    masculinity and modernity in nineteenth-century painting
    Autor*in: Leigh, Allison
    Erschienen: 2023
    Verlag:  Bloomsbury Visual Arts, London

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has... mehr

    Universitätsbibliothek Freiburg
    GE 2023/4760
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The sense of estrangement felt by men during the nineteenth century has been called many things - a crisis in masculinity, the mal de siècle, even a psychological disorder known as neurasthenia - but as a phenomenon, such masculine discontent has gone largely unexplored outside of the western European and American contexts. In this ground-breaking new investigation, Allison Leigh explores how Russian painters sought to depict the new psychological struggles associated with modernity and the implications such visual manifestations of anxiety had for masculinity at the time. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, Leigh investigates how men's lives changed as they experienced the cultural upheavals of the nineteenth century. In so doing, she introduces readers to Russian artists such as Pavel Fedotov, Karl Briullov, Il'ia Repin, and Ivan Kramskoi, all of whom produced masterpieces of realist art in dialogue with paintings made in European artistic centers at the time. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350282742; 9781501341793
    Weitere Identifier:
    9781350282742
    Auflage/Ausgabe: Paperback edition
    Schlagworte: Masculinity in art; Modernism (Art); Painting, Russian; Art and society
    Umfang: xv, 280 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke