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  1. Deleuze, Japanese cinema and the atom bomb
    Autor*in: Deamer, David
    Erschienen: 2014
    Verlag:  Bloomsbury Academic, New York, NY [u.a.]

    "David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501300158
    Weitere Identifier:
    RVK Klassifikation: AP 59763
    Schriftenreihe: Thinking cinema ; vol. 1
    Schlagworte: Motion pictures; Nuclear warfare in motion pictures; Motion pictures
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: Online-Ressource
  2. Deleuze, Japanese cinema and the Atom Bomb
    the spectre of impossibility
    Autor*in: Deamer, David
    Erschienen: 2014
    Verlag:  Bloomsbury, New York

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501300158
    Weitere Identifier:
    RVK Klassifikation: AP 50300 ; AP 59463 ; CI 5599
    Auflage/Ausgabe: First published
    Schriftenreihe: Thinking cinema ; 1
    Schlagworte: Atombombenabwurf <Motiv>; Film
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: 1 Online-Ressource, Illustrationen
  3. Deleuze, Japanese cinema and the atom bomb
    Autor*in: Deamer, David
    Erschienen: 2014
    Verlag:  Bloomsbury Academic, New York, NY [u.a.]

    "David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501300158
    Weitere Identifier:
    RVK Klassifikation: AP 59763
    Schriftenreihe: Thinking cinema ; vol. 1
    Schlagworte: Motion pictures; Nuclear warfare in motion pictures; Motion pictures
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: Online-Ressource