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  1. Ukrainian Women Writers and the National Imaginary
    From the Collapse of the USSR to the Euromaidan
    Erschienen: 2019; ©2020
    Verlag:  University of Toronto Press, Scholarly Publishing Division, Toronto

    By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger... mehr

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    Universitätsbibliothek Mannheim
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    By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger female literary peers.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487533090
    Schlagworte: Women in literature; Women in literature; Electronic books
    Umfang: 1 online resource (212 pages)
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  2. Ukrainian Women Writers and the National Imaginary
    From the Collapse of the USSR to the Euromaidan
    Erschienen: 2019
    Verlag:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger... mehr

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    By writing of Ukrainian national identity from a woman-centered perspective, female authors from the last Soviet generation established themselves as authoritative critics of their culture and paved the way to visibility and success for their younger female literary peers.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487533090
    RVK Klassifikation: KL 4250 ; EC 2230
    Umfang: 1 Online-Ressource (212 pages)
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  3. Ukrainian women writers and the national imaginary :
    from the collapse of the USSR to the Euromaidan /
    Erschienen: 2019.
    Verlag:  University of Toronto Press,, Toronto ;

    "Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics... mehr

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    "Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood."--

     

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  4. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: [2020]; © 2020
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood

     

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  5. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: [2020]; © 2020
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood

     

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  6. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... mehr

     

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood.

     

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  7. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: 2019
    Verlag:  University of Toronto Press, Toronto

    "Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics... mehr

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    Hochschule Aalen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood."-- Introduction: Women, Literature, and the National Imaginary in (Post)colonial Ukraine -- 1. On the Invisibility of Ukrainian Women's Writing in the Soviet Empire -- 2. How Can a Ukrainian Woman Write? -- 3. Voicing the Self: The First Ukrainian Bestseller by a Woman Writer -- 4. Rewriting the Nation: National Narratives by Maria Matios and Ievheniia Kononenko -- 5. Excavating the (Gendered) Nation: Oksana Zabuzhko's Museum-Novel -- 6. New National Chronicles: Women (Writers) on the Euromaidan -- Conclusion.

     

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  8. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: [2020]; © 2020
    Verlag:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- Note on Transliteration -- Introduction: Women, Literature, and the National Imaginary in (Post)colonial Ukraine -- 1. On the Invisibility of Ukrainian Women's Writing in the Soviet Empire -- 2. How Can a... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Note on Transliteration -- Introduction: Women, Literature, and the National Imaginary in (Post)colonial Ukraine -- 1. On the Invisibility of Ukrainian Women's Writing in the Soviet Empire -- 2. How Can a Ukrainian Woman Write? -- 3. Voicing the Self: The First Ukrainian Bestseller by a Woman Writer -- 4. Rewriting the Nation: National Narratives by Maria Matios and Yevhenia Kononenko -- 5. Excavating the (Gendered) Nation: Oksana Zabuzhko's Museum Novel -- 6. New National Chronicles: Women (Writers) on the Euromaidan -- Conclusion -- Notes -- Bibliography -- Index Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood

     

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  9. Ukrainian Women Writers and the National Imaginary
    From the Collapse of the USSR to the Euromaidan
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... mehr

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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women's prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women's prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state's disintegration. The interjection of women's voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo's book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487533090
    Weitere Identifier:
    RVK Klassifikation: KL 4250 ; EC 2230
    Umfang: 1 Online-Ressource (216 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  10. Ukrainian women writers and the national imaginary
    from the collapse of the USSR to the Euromaidan
    Erschienen: [2020]; © 2020
    Verlag:  University of Toronto Press, Toronto

    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women’s prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of... mehr

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    Since the collapse of the Soviet Union, the Ukrainian literary world has not only experienced a true blossoming of women’s prose, but has also witnessed a number of female authors assume the roles of literary trendsetters and authoritative critics of their culture. In this first in-depth study of how Ukrainian women’s prose writing was able to re-emerge so powerfully after being marginalized in the Soviet era, Oleksandra Wallo examines the writings and literary careers of leading contemporary Ukrainian women authors, such as Oksana Zabuzhko, Ievheniia Kononenko, and Maria Matios. Her study shows how these women reshaped literary culture with their contributions to the development of the Ukrainian national imaginary in the wake of the Soviet state’s disintegration. The interjection of women’s voices and perspectives into the narratives about the nation has often permitted these writers to highlight the diversity of the national picture and the complexity of the national story. Utilizing insights from postcolonial and nationalism studies, Wallo’s book theorizes the interdependence between the national imaginary and narrative plots, and scrutinizes how prominent Ukrainian women authors experimented with literary form in order to rewrite the story of women and nationhood.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487533090; 9781487533106
    Schlagworte: Ukraine; Schriftstellerin; Nationalbewusstsein <Motiv>; Geschichte 1990-2014;
    Umfang: 1 Online-Ressource (viii, 201 Seiten)
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    Literaturverzeichnis: Seite 175-191