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  1. Experimental Selves
    Person and Experience in Early Modern Europe
    Erschienen: [2019]; © 2018
    Verlag:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them

     

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    ISBN: 9781487518509
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    Schlagworte: aesthetics; agency; art; experience; experiment; nature; person; sovereignty; ART / History / General; Self in literature; Self-knowledge, Theory of; Self-perception in art; Individuum; Selbstbewusstsein; Selbst
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  2. Experimental selves
    person and experience in early modern Europe
    Erschienen: [2018]
    Verlag:  University of Toronto Press, Toronto

    6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant; Conclusion. Person, Experiment, and the World They Made; Notes; Works Cited; Index Cover;... mehr

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    6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant; Conclusion. Person, Experiment, and the World They Made; Notes; Works Cited; Index Cover; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment; 1 The Shape of Knowledge: The Culture of Experiment and the Byways of Expression; 2 The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow; 3 Persons and Portraits: The Vicissitudes of Burckhardt's Individual; 4 Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre; 5 Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière

    Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an ""experimental"" phenomenon--at once a given of experience and the self-conscious arena of that experience.

     

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  3. Experimental selves
    person and experience in early modern Europe
    Erschienen: [2018]; © 2018
    Verlag:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... mehr

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    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment -- Chapter One. The Shape of Knowledge: The Culture of Experiment and the Byways of Expression -- Chapter Two. The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow -- Chapter Three. Persons and Portraits: The Vicissitudes of Burckhardt's Individual -- Chapter Four. Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre -- Chapter Five. Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière -- Chapter Six. The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves -- Chapter Seven. Groping in the Dark: Aesthetics and Ontology in Diderot and Kant -- Conclusion. Person, Experiment, and the World They Made -- Notes -- Works Cited -- Index

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9781487518509
    Weitere Identifier:
    Schlagworte: Self in literature; Self-knowledge, Theory of; Self-perception in art; ART / History / General
    Umfang: 1 Online-Ressource (xiv, 419 Seiten)
  4. Experimental Selves
    Person and Experience in Early Modern Europe
    Erschienen: [2019]; © 2018
    Verlag:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781487518509
    Weitere Identifier:
    Schlagworte: aesthetics; agency; art; experience; experiment; nature; person; sovereignty; ART / History / General; Self in literature; Self-knowledge, Theory of; Self-perception in art; Individuum; Selbstbewusstsein; Selbst
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  5. Experimental selves
    person and experience in early modern Europe
    Erschienen: [2018]; © 2018
    Verlag:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... mehr

    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment -- Chapter One. The Shape of Knowledge: The Culture of Experiment and the Byways of Expression -- Chapter Two. The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow -- Chapter Three. Persons and Portraits: The Vicissitudes of Burckhardt's Individual -- Chapter Four. Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre -- Chapter Five. Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière -- Chapter Six. The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves -- Chapter Seven. Groping in the Dark: Aesthetics and Ontology in Diderot and Kant -- Conclusion. Person, Experiment, and the World They Made -- Notes -- Works Cited -- Index

     

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    ISBN: 9781487518509
    Weitere Identifier:
    Schlagworte: Self in literature; Self-knowledge, Theory of; Self-perception in art; ART / History / General
    Umfang: 1 Online-Ressource (xiv, 419 Seiten)
  6. Experimental selves
    person and experience in early modern Europe/
    Erschienen: 2018
    Verlag:  ProQuest, Toronto

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    ISBN: 9781487518509
    Umfang: 1 Online-Ressource (442 pages)
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  7. Experimental Selves
    Person and Experience in Early Modern Europe
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious... mehr

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    Drawing on the generous semantic range the term enjoyed in early modern usage, Experimental Selves argues that 'person,' as early moderns understood this concept, was an 'experimental' phenomenon-at once a given of experience and the self-conscious arena of that experience. Person so conceived was discovered to be a four-dimensional creature: a composite of mind or 'inner' personality; of the body and outward appearance; of social relationship; and of time. Through a series of case studies keyed to a wide variety of social and cultural contexts, including theatre, the early novel, the art of portraiture, pictorial experiments in vision and perception, theory of knowledge, and the new experimental science of the late-seventeenth and eighteenth centuries, the book examines the manifold shapes person assumed as an expression of the social, natural, and aesthetic 'experiments' or experiences to which it found itself subjected as a function of the mere contingent fact of just having them.

     

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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  8. Experimental Selves
    Person and Experience in Early Modern Europe
    Erschienen: 2018
    Verlag:  University of Toronto Press, Toronto

    Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an "experimental" phenomenon--at once a given of experience and the self-conscious arena of that experience.... mehr

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    Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an "experimental" phenomenon--at once a given of experience and the self-conscious arena of that experience. Cover -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment -- 1 The Shape of Knowledge: The Culture of Experiment and the Byways of Expression -- 2 The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow -- 3 Persons and Portraits: The Vicissitudes of Burckhardt's Individual -- 4 Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre -- 5 Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière -- 6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves -- 7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant -- Conclusion. Person, Experiment, and the World They Made -- Notes -- Works Cited -- Index

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487518509
    Schlagworte: Self in literature; Self-perception in art; Self-knowledge, Theory of-History; Self in literature; Self-knowledge, Theory of-History; Self-perception in art; Electronic books
    Umfang: 1 online resource (442 pages)