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  1. The dramaturgy of the spectator
    Italian theatre and the public sphere, 1600-1800
    Autor*in: Korneeva, Tatiana
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487505356; 1487505353
    RVK Klassifikation: IU 7580
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Theater audiences; Theater audiences; Theater audiences; Theater audiences; Spectators; Spectators; Italian drama; Italian drama; Italian drama; Spectators; Theater audiences; Theater audiences ; Psychology; Italy; Criticism, interpretation, etc; History
    Umfang: xii, 261 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. The dramaturgy of the spectator
    Italian theatre and the public sphere, 1600-1800
    Autor*in: Korneeva, Tatiana
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 70595
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2019/6703
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    IU 7580 101
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    F VII n 4/207
    Fernleihe:
    keine Fernleihe

    Standort:
    Deutsches Historisches Institut in Rom, Bibliothek
    Signatur:
    R 385
    Fernleihe:
    keine Fernleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    71.3225
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487505356; 1487505353
    RVK Klassifikation: IU 7580
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Theater audiences; Theater audiences; Theater audiences; Theater audiences; Spectators; Spectators; Italian drama; Italian drama; Italian drama; Spectators; Theater audiences; Theater audiences ; Psychology; Italy; Criticism, interpretation, etc; History
    Umfang: 261 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index