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  1. To be Nsala's daughter
    decomposing the colonial gaze
    Autor*in: Rivers, Chérie N.
    Erschienen: [2023]; © 2023
    Verlag:  Duke University Press, Durham

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on... mehr

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Léopold's Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible-and continued-violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala's Daughter traces the past and present of the colonial gaze both in Congo and in the author's lived experience as a mixed-race Black woman in the United States

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478023722
    Weitere Identifier:
    RVK Klassifikation: AP 94275 ; NK 4505 ; NQ 9300
    Schlagworte: Photography / History; Atrocities; Documentary photography; Violence; Postkolonialismus; Kongo <Volk>; Kolonialismus <Motiv>; Dokumentarfotografie; Rezeption; Kunst
    Weitere Schlagworte: Harris, Alice Seeley (1870-1970)
    Umfang: 1 Online-Ressource (128 Seiten)
  2. To be Nsala's daughter
    decomposing the colonial gaze
    Autor*in: Rivers, Chérie N.
    Erschienen: [2023]; © 2023
    Verlag:  Duke University Press, Durham

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Léopold's Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible-and continued-violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala's Daughter traces the past and present of the colonial gaze both in Congo and in the author's lived experience as a mixed-race Black woman in the United States

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478023722
    Weitere Identifier:
    RVK Klassifikation: AP 94275 ; NK 4505 ; NQ 9300
    Schlagworte: Photography / History; Atrocities; Documentary photography; Violence; Postkolonialismus; Kongo <Volk>; Kolonialismus <Motiv>; Dokumentarfotografie; Rezeption; Kunst
    Weitere Schlagworte: Harris, Alice Seeley (1870-1970)
    Umfang: 1 Online-Ressource (128 Seiten)