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  1. Between Banat
    queer Arab critique and transnational Arab archives
    Erschienen: 2023
    Verlag:  Duke University Press, Durham

    "Between Banat presents a feminist and queer of color analysis of homoeroticism and nonnormative sexualities between Arab women as represented in transnational Arab literature, art, and film. It draws on a dynamic archive of Arabic and Anglophone... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    2023/92
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Freiburg
    GE 2023/5889
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Institut für Auslandsbeziehungen, Bibliothek
    43/184
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Between Banat presents a feminist and queer of color analysis of homoeroticism and nonnormative sexualities between Arab women as represented in transnational Arab literature, art, and film. It draws on a dynamic archive of Arabic and Anglophone film and literature, as well as works in translation and transliteration to outline dominant discourses which make representing queer Arab subjects difficult. Between Banat establishes queer Arab critique as a strategy to read around limiting discourses and proposes tenets to make possible queer Arab futures. Mejdulene Bernard Shomali demonstrates how systems of heteropatriarchy, Arab nationalisms, and Orientalism work in relation to mire queer Arab women's horizons and uses queer Arab critique to locate queer desire amidst heteronormative imperatives"-- In Between Banat Mejdulene Bernard Shomali examines homoeroticism and nonnormative sexualities between Arab women in transnational Arab literature, art, and film. Moving from The Thousand and One Nights and the Golden Era of Egyptian cinema to contemporary novels, autobiographical writing, and prints and graphic novels that imagine queer Arab futures, Shomali uses what she calls queer Arab critique to locate queer desire amid heteronormative imperatives. Showing how systems of heteropatriarchy and Arab nationalisms foreclose queer Arab women's futures, she draws on the transliterated term "banat"-the Arabic word for girls-to refer to women, femmes, and nonbinary people who disrupt stereotypical and Orientalist representations of the "Arab woman." By attending to Arab women's narration of desire and identity, queer Arab critique substantiates queer Arab histories while challenging Orientalist and Arab national paradigms that erase queer subjects. In this way, Shomali frames queerness and Arabness as relational and transnational subject formations and contends that prioritizing transnational collectivity over politics of authenticity, respectability, and inclusion can help lead toward queer freedom

     

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