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  1. Unseeing empire
    photography, representation, South Asian America
    Autor*in: Mani, Bakirathi
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2021:2512:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signatur:
    730 eth 2021/420
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:JF:2000:Mani::2020
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    kun 040.8 DK 1542
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478009849; 9781478010890
    RVK Klassifikation: AP 99083 ; MS 1235 ; MS 3600
    Schriftenreihe: A camera obscura book
    Schlagworte: South Asian Americans; South Asian Americans; South Asian diaspora
    Umfang: xv, 271 Seiten, 12 ungezählte Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 245-259
  2. Unseeing empire
    photography, representation, South Asian America
    Autor*in: Mani, Bakirathi
    Erschienen: 2020
    Verlag:  Duke University Press, Durham

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478009849; 9781478010890
    RVK Klassifikation: AP 99083 ; MS 1235 ; MS 3600
    Schriftenreihe: A camera obscura book
    Schlagworte: South Asian Americans; South Asian Americans; South Asian diaspora
    Umfang: xv, 271 Seiten, 12 ungezählte Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 245-259
  3. Unseeing empire
    photography, representation, South Asian America
    Autor*in: Mani, Bakirathi
    Erschienen: 2020
    Verlag:  Duke University Press, Durham ; London

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478009849; 9781478010890
    RVK Klassifikation: AP 99083 ; MS 1235 ; MS 3600
    Schriftenreihe: A camera obscura book
    Schlagworte: Fotografie; Kulturelle Identität; Diaspora <Sozialwissenschaften>; Einwanderung <Motiv>; Südasiaten
    Weitere Schlagworte: Matthew, Annu Palakunnathu (1964-); Gill, Gauri (1970-); Shah, Seher (1975-); South Asian Americans / Cultural assimilation / United States; South Asian Americans / Ethnic identity; South Asian diaspora
    Umfang: xv, 271 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 245-259