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  1. Punctuations
    how the arts think the political
    Autor*in: Shapiro, Michael J.
    Erschienen: 2019
    Verlag:  Duke University Press, Durham

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations. "In... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2021:3803:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Signatur:
    P301 Shap2019
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations. "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478005889; 9781478006565
    RVK Klassifikation: LH 60200 ; MB 3450
    Schlagworte: Punctuation; Punctuation; Punctuation; Punctuation; Punctuation; Punctuation
    Umfang: 213 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Punctuations
    how the arts think the political
    Autor*in: Shapiro, Michael J.
    Erschienen: [2019]
    Verlag:  Duke University Press, Durham

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations "In... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478005889; 9781478006565
    RVK Klassifikation: LH 60200 ; MB 3450
    Schlagworte: Künste; Politik; Das Politische; Politik <Motiv>; Opposition; Zeichensetzung; Kulturkritik
    Weitere Schlagworte: Punctuation; Punctuation / Philosophy; Punctuation / Social aspects; Punctuation / Political aspects; Punctuation / In literature; Punctuation / In art
    Umfang: 213 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. Punctuations
    how the arts think the political
    Autor*in: Shapiro, Michael J.
    Erschienen: 2019
    Verlag:  Duke University Press, Durham

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations. "In... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How popular music thinks the political -- Urban punctuations: symphonic and dialectic -- Architectural punctuations: the politics of 'event spaces' -- Image punctuations: from the photographic to the cinematic -- Holocaust punctuations. "In Punctuations Michael J. Shapiro examines how punctuation--conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility--opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478005889; 9781478006565
    RVK Klassifikation: LH 60200 ; MB 3450
    Schlagworte: Punctuation; Punctuation; Punctuation; Punctuation; Punctuation; Punctuation
    Umfang: 213 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index