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  1. Troubled everyday
    the aesthetics of violence and the everyday in European art cinema
    Autor*in: Taylor, Alison
    Erschienen: 2017
    Verlag:  Edinburgh University Press, Edinburgh

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1474415229; 9781474415224
    Schlagworte: Motion pictures; Art in motion pictures; Violence in motion pictures; Art in motion pictures; Art in motion pictures; Motion pictures; Motion pictures; Violence in motion pictures; Violence in motion pictures; Europe
    Umfang: v, 137 Seiten, Illustrationen, 24 cm
  2. Troubled everyday
    the aesthetics of violence and the everyday in European art cinema
    Autor*in: Taylor, Alison
    Erschienen: [2017]; © 2017
    Verlag:  Edinburgh University Press, Edinburgh

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474415224; 1474415229
    RVK Klassifikation: AP 50300
    Schlagworte: Film; Film; Gewalt <Motiv>; Alltag <Motiv>
    Weitere Schlagworte: Motion pictures / Europe; Art in motion pictures; Violence in motion pictures; Art in motion pictures; Motion pictures; Violence in motion pictures; Europe
    Umfang: v, 137 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Acknowledgements -- List of figures -- "A lightning that illuminates the banal": violence and the everyday -- Everyday moments -- Everyday style -- Everyday structures/everday language -- Return to the everyday -- Conclusion: looking back -- Works cited -- Filmography -- Index
  3. Troubled everyday
    the aesthetics of violence and the everyday in European art cinema
    Autor*in: Taylor, Alison
    Erschienen: 2017
    Verlag:  Edinburgh University Press, Edinburgh

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 6719
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1474415229; 9781474415224
    Schlagworte: Motion pictures; Art in motion pictures; Violence in motion pictures; Art in motion pictures; Art in motion pictures; Motion pictures; Motion pictures; Violence in motion pictures; Violence in motion pictures; Europe
    Umfang: v, 137 Seiten, Illustrationen, 24 cm