Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGMENTS -- PREFACE -- Introduction -- King Richard III in historical context -- Richard IIIâs body -- Form and deformity in Richard -- King Richard...
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Cover page -- Halftitle page -- Series page -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGMENTS -- PREFACE -- Introduction -- King Richard III in historical context -- Richard IIIâs body -- Form and deformity in Richard -- King Richard III in criticism -- Writing matters -- CHAPTER ONE Language in Print: Words, Lines, Speeches -- What text is this? -- King Richard III in print: Quartos and folios -- Editing the quartos and First Folio -- Typesetting -- Reading King Richard III, 1.1.1â41 -- Determined to prove the villain -- Rhythm and meter -- Fearing Richard -- The player and the audience -- Writing matters -- CHAPTER TWO Language and Structure -- Structure -- Thomas Moreâs Richard -- Thrilling Shakespeare -- Alternative arc: Prophecies and curses -- Bustling -- Margaretâs prophecy -- Margaret and Richard -- Case study: Clarenceâs dream -- The princes: Repetition with a difference -- Women -- Richmond -- Richardâs conscience -- My kingdom for a horse -- Writing matters -- CHAPTER THREE Language Through Time -- Beginnings -- Fascist Richard -- Libyan Richard -- Gulf States Shakespeare -- Digital Richard -- Documentary Richard -- Revisions and transpositions -- Writing matters -- CHAPTER FOUR Writing Tips and Topics -- From his page to yours: Turning reading into writing -- Your topic -- Tips on writing -- Writing topics -- BIBLIOGRAPHY
