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  1. How to write about theatre
    a manual for critics, students and bloggers
    Autor*in: Fisher, Mark
    Erschienen: 2015
    Verlag:  Bloomsbury, London

    Universität Mainz, Zentralbibliothek
    276.978
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Jones, Chris (Verfasser eines Vorworts)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472520548
    RVK Klassifikation: AP 76600
    Schlagworte: Theater; Kritik
    Umfang: 280 Seiten
    Bemerkung(en):

    Titelzusatz auf Umschlag: a manual for critics, students and bloggers

  2. How to Write About Theatre
    A Manual for Critics, Students and Bloggers
    Autor*in: Fisher, Mark
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing, London

    What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss t

     

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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472520548
    Schlagworte: Dramatic criticism; Theater -- History and criticism; Theater audiences; Electronic books
    Umfang: Online-Ressource (297 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover page; Halftitle page; Title page; Copyright page; Dedication page; CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; 1 INTRODUCTION; The job of the theatre critic; The twenty-first century critic; Reviewer or critic?; Notes; 2 HOW TO LEARN FROMCRITICS OF THE PAST; The story so far; Manzoni's three questions; What were the theatremakers trying to do?; How well did they do it?; Was it worth it?; Notes; 3 HOW TO TAKE ON DIFFERENT CRITICAL STYLES; What do you think you are doing?; The critic as reporter; The critic as judge; The critic as consumer guide; The critic as theatrical analyst

    The critic as championThe critic as educator; The critic as arbiter of taste; The critic as reformer; The critic as cultural commentator; The critic as social commentator; The critic as insider; The critic as ego; The critic as visionary; Notes; 4 HOW TO WRITE FOR YOUR READERS; Consumers or connoisseurs?; The would-be audience member; The audience that has already seen it; The culturally aware; The reader of the future; The artist; So who exactly are you writing for?; Notes; 5 HOW TO DO YOUR RESEARCH; A qualified opinion; How much research is too much?; Research checklist; How to learn more

    Notes6 HOW TO FINDYOUR VOICE; Stepping out in public; Making your point; The creative response; Mind your language; Writing with confi dence; House style; Le mot juste; Notes; 7 HOW TO WRITE THE FIRST SENTENCE; Taking the plunge; Notes; 8 HOW TO STRUCTURE A REVIEW; Making the news; Classical structures; Going with the flow; The close-up and the long shot; Notes; 9 HOW TO WRITE IN THE MOMENT; The alert critic; Preparing yourself; How to take notes; Causing a scene; When to write your review; Notes; 10 HOW TO WRITE OPINIONS; Speaking out in public; Telling it like it is; Goodbye social life

    Making your mind upGetting opinions in proportion; The subjective voice; How to write positive reviews; How to write lukewarm reviews; How to write negative reviews; Staying within the law; Notes; 11 HOW TO GIVE STAR RATINGS; Numbers versus words; Notes; 12 HOW TO WRITE ABOUT ACTING; The art of precision; How to define good acting; How to treat actors with respect; How to write about movement; How to write about famous faces and flashy acting; Notes; 13 HOW TO WRITE ABOUT PLAYS; Getting the right idea; How to write about plot; Notes; 14 HOW TO WRITE ABOUT THE PRODUCTION

    The art and craft of theatreHow to write about design; Lighten up; How to write about music and sound; How to write about direction; Notes; 15 HOW TO WRITE ABOUT THE AUDIENCE; Theatre as a social event; The role of the audience; The critic's voice in the crowd; Judging the audience; Taking the audience on board; Is the customer always right?; Notes; 16 HOW TO WRITE ABOUT CONTEXT; Lost in translation; The critic's context; The social context; The modern- day context; The theatre's context; The play's context; Notes; 17 HOW TO WRITE ABOUT EMOTIONS; The empire of the passions

    First person or third?