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  1. Martyrs and players in early modern England
    tragedy, religion and violence on stage
    Erschienen: [2014]
    Verlag:  Ashgate, Burlington, VT

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472428295; 1472428293; 9781472428288; 1472428285; 9781472428301
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: DRAMA / English, Irish, Scottish, Welsh; English drama; English drama / Early modern and Elizabethan; English drama (Tragedy); Violence in literature; English drama / 17th century / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama (Tragedy) / History and criticism; Violence in literature; Engelsk dramatik / historia; Våld i litteraturen; Religion och litteratur; Array; Märtyrer <Motiv>; Tragödie; Gewalt <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616); Marlowe, Christopher (1564-1593); Foxe, John (1516-1587): Actes and monuments of these latter and perillous dayes; Webster, John (1580-1625); Milton, John (1608-1674)
    Umfang: 1 online resource
    Bemerkung(en):

    Print version record

    Cover; Contents; Acknowledgements; Introduction: Tragedy and Religious Violence in Early Modern England; 1 Violence against the Sacred: Martyrdom and the Doctrine of the Persecuted Church; 2 The Tragedy of Gravity: William Shakespeare's King Lear; 3 Tragic Participation: John Webster's The Duchess of Malfi; 4 Tragic Complicity: Christopher Marlowe's Doctor Faustus; 5 Tragic Ambivalence: John Milton's Samson Agonistes; Bibliography; Index

    Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity

  2. Martyrs and players in early modern England
    tragedy, religion and violence on stage
    Erschienen: 2014
    Verlag:  Ashgate, Surrey, England ; Burlington, Vermont

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472428295; 9781472428301
    RVK Klassifikation: HI 1161 ; HI 1251
    Schriftenreihe: Studies in Performance and Early Modern Drama
    Schlagworte: English drama; English drama; English drama (Tragedy); Violence in literature; Gewalt <Motiv>; Märtyrer <Motiv>; Tragödie
    Weitere Schlagworte: Shakespeare, William (1564-1616); Milton, John (1608-1674); Marlowe, Christopher (1564-1593); Webster, John (1580-1625); Foxe, John (1516-1587): Actes and monuments of these latter and perillous dayes
    Umfang: 1 Online-Ressource (252 pages)
    Bemerkung(en):

    Description based on print version record

  3. Martyrs and players in early modern England
    tragedy, religion and violence on stage
    Erschienen: [2014]
    Verlag:  Ashgate, Burlington, VT

    Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson... mehr

    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity

     

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  4. Martyrs and players in early modern England
    tragedy, religion and violence on stage
    Erschienen: 2014
    Verlag:  [ProQuest], Surrey, England

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472428295; 9781472428288
    RVK Klassifikation: HI 1251
    Schriftenreihe: Studies in Performance and Early Modern Drama
    Schlagworte: Tragödie; Märtyrer <Motiv>; Gewalt <Motiv>
    Weitere Schlagworte: Marlowe, Christopher (1564-1593); Shakespeare, William (1564-1616); Webster, John (1580-1625); Milton, John (1608-1674); Foxe, John (1516-1587): Actes and monuments of these latter and perillous dayes
    Umfang: 1 online resource (252 pages).
    Bemerkung(en):

    Includes bibliographical references and index

    Description based on print version record

  5. Martyrs and Players in Early Modern England
    Tragedy, Religion and Violence on Stage
    Erschienen: 2014
    Verlag:  Taylor & Francis, Farnham

    Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    e-Book Academic Complete
    keine Fernleihe
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    keine Fernleihe
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    eBook ProQuest
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    ProQuest
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    E-Books ProQuest Academic
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    E-Book Proquest
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    eBook ProQuest
    keine Fernleihe
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    EBS ProQuest
    keine Fernleihe

     

    Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe's Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period's literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr's body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time Cover -- Contents -- Acknowledgements -- Introduction: Tragedy and Religious Violence in Early Modern England -- 1 Violence against the Sacred: Martyrdom and the Doctrine of the Persecuted Church -- 2 The Tragedy of Gravity: William Shakespeare's King Lear -- 3 Tragic Participation: John Webster's The Duchess of Malfi -- 4 Tragic Complicity: Christopher Marlowe's Doctor Faustus -- 5 Tragic Ambivalence: John Milton's Samson Agonistes -- Bibliography -- Index

     

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