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  1. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Autor*in: Blackwood, Sarah
    Erschienen: [2019]
    Verlag:  University of North Carolina Press, Chapel Hill

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2021:4472:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 90153
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2021 C 2949
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    AMK:MC:340:Bla::2019
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation. "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469652597; 9781469652580
    Schriftenreihe: Studies in United States culture
    Schlagworte: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art
    Umfang: xi, 201 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 179-192
  2. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Autor*in: Blackwood, Sarah
    Erschienen: [2019]
    Verlag:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signatur:
    KMB/EPZ 22 2019 B
    Fernleihe:
    keine Fernleihe

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469652580; 9781469652597
    Schriftenreihe: Studies in United States culture
    Schlagworte: Literatur; Kunst; Identität <Motiv>; Psychologie; Bildnis; Charakterisierung
    Umfang: xi, 201 Seiten, Illustrationen, 24 cm
  3. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Autor*in: Blackwood, Sarah
    Erschienen: [2019]; © 2019
    Verlag:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology." Klappentext

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469652580; 9781469652597
    RVK Klassifikation: HT 1121
    Schriftenreihe: Studies in United States culture
    Schlagworte: Psychologie; Charakterisierung; Literatur; Bildnis; Identität <Motiv>; Kunst
    Weitere Schlagworte: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art; Identity (Psychology) in art; Identity (Psychology) in literature; Portraits, American; Psychology and art
    Umfang: xi, 201 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation
  4. The portrait's subject
    inventing inner life in the nineteenth-century United States
    Autor*in: Blackwood, Sarah
    Erschienen: [2019]
    Verlag:  University of North Carolina Press, Chapel Hill

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation. "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469652597; 9781469652580
    Schriftenreihe: Studies in United States culture
    Schlagworte: Portraits, American; Identity (Psychology) in art; Identity (Psychology) in literature; Psychology and art
    Umfang: xi, 201 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 179-192
  5. <<The>> portrait's subject
    inventing inner life in the nineteenth-century United States
    Autor*in: Blackwood, Sarah
    Erschienen: [2019]
    Verlag:  The University of North Carolina Press, Chapel Hill

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469652580; 9781469652597
    Schriftenreihe: Studies in United States culture
    Schlagworte: USA; Kunst; Literatur; Bildnis; Charakterisierung; Psychologie; Identität <Motiv>; Geschichte 1839-1900
    Umfang: xi, 201 Seiten, Illustrationen, 24 cm