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  1. Sensational modernism
    experimental fiction and photography in thirties America
    Autor*in: Entin, Joseph B.
    Erschienen: c2007
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807831360; 080785834X; 1469606615; 9780807831366; 9780807858349; 9781469606613
    Schriftenreihe: Cultural studies of the United States
    Schlagworte: Experimentelle Prosa; Photographie; LITERARY CRITICISM / American / General; American fiction; Art and literature; Documentary photography; Experimental fiction, American; Mass media and art; Modernism (Literature); Poor in literature; Poverty in literature; Social problems in literature; Visual perception in literature; Geschichte; American fiction; Experimental fiction, American; Art and literature; Documentary photography; Mass media and art; Modernism (Literature); Visual perception in literature; Social problems in literature; Poverty in literature; Poor in literature; Literatur; Experimentelle Prosa; Fotografie; Kunst
    Weitere Schlagworte: Weegee (1899-1968); Siskind, Aaron (1903-1991)
    Umfang: 1 Online-Ressource (xi, 325 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [265]-310) and index

    Scrutiny, sentiment, sensation : American modernism and the bodies of the dispossessed -- Sensational contact : William Carlos Williams's short fiction and the bodies of new immigrants -- Modernist documentary : Aaron Siskind's Harlem document -- A piece of the body torn out by the roots : James Agee, Tillie Olsen, William Faulkner, and the contingencies of working-class representation -- Monstrous modernism : laboring bodies, wounded workers, and narrative heterogeneity in Pietro di Donato's Christ in concrete -- No man's land : Richard Wright, stereotype, and the racial politics of sensational modernism

    Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes
  2. Sensational modernism
    experimental fiction and photography in thirties America
    Erschienen: 2010
    Verlag:  University of North Carolina Press, Chapel Hill

    Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781469606613; 1469606615
    Schriftenreihe: Cultural studies of the United States
    Schlagworte: American fiction; Experimental fiction, American; Art and literature; Documentary photography; Mass media and art; Modernism (Literature); Poor in literature; Visual perception in literature; Social problems in literature; Poverty in literature; Mass media and art; Modernism (Literature); Experimental fiction, American; Art and literature; Documentary photography; Poor in literature; American fiction; American fiction; Art and literature; Documentary photography; Experimental fiction, American; Mass media and art; Modernism (Literature); Poor in literature; Poverty in literature; Social problems in literature; Visual perception in literature; American fiction; Art and literature; Documentary photography; Experimental fiction, American; Mass media and art; Modernism (Literature); Poor in literature; Experimentelle Prosa; Fotografie; Kunst; Literatur; Criticism, interpretation, etc; History; LITERARY CRITICISM ; American ; General
    Weitere Schlagworte: Weegee; Siskind, Aaron
    Umfang: Online Ressource (xi, 325 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [265]-310) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library