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  1. Claude Monet, Free Thinker
    Radical Republicanism, Darwin's Science, and the Evolution of Impressionist Aesthetics
    Autor*in: Call, Michael J.
    Erschienen: 2015
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453915943
    Weitere Identifier:
    9781453915943
    RVK Klassifikation: LI 60700
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Ästhetik; Freidenker; Rezeption; Impressionismus; Republikanismus; Darwinismus
    Weitere Schlagworte: Monet, Claude (1840-1926)
    Umfang: 1 Online-Ressource (187 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 27, 2019)

    This revolutionary interdisciplinary study argues that Monet's artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive social agenda, and fierce anticlericalism. His efforts to create a style reflecting his personal political code led him to produce paintings proclaimed by like-minded free thinkers as «a science being constantly perfected» (Gustave Geffroy), that is, emphasizing only observable phenomena in the immediate present through scrupulous, insistent on-site observation, capturing the raw data of sensations and sensory experience, and purporting to record a world free of embedded meaning. Darwin's world similarly comes with no prepackaged reassurance of humankind's privileged place in it; it is instead a space in which all varieties of organisms and species compete for limited resources in a struggle for survival. The Darwinian model of nature appears to have influenced Monet's artistic production increasingly as his style evolved over several decades. In opposition to post-Renaissance art that privileged the human presence in both representation and the viewing act, Monet's later paintings create a sense of virtual and visual equality among all observable phenomena. The human - and the viewer, by extension - is thus represented as neither separate from nature as a disengaged observer nor superior to it but rather co-equal with all other organic life forms surrounding it. This approach, while echoing Darwin's admiration of nature and its laws, also reminds humankind of its own fragility and the hard choices it must make to avoid extinction

    «Claude Monet was a free thinker and a secularist. Did such commitments matter to his painting? This is the question that Michael J. Call addresses through a close reading of the artist's oeuvre. The result is a beautiful evocation, oftentimes lyrical, of Monet's understanding of humankind's place in time and nature.» (Philip Nord, Princeton University)
  2. Claude Monet, free thinker
    radical republicanism, Darwin's science, and the evolution of impressionist aesthetics
    Autor*in: Call, Michael J.
    Erschienen: 2015; © 2015
    Verlag:  Peter Lang, New York, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781433130809; 9781453915943
    Schriftenreihe: American University Studies. Series XX, Fine arts ; Volume 40
    Schlagworte: Geschichte; Gesellschaft; Kunst; Politik; Freethinkers; Impressionism (Art); Art; Natural history; Freidenker; Darwinismus; Rezeption; Ästhetik; Republikanismus; Impressionismus
    Weitere Schlagworte: Monet, Claude (1840-1926); Monet, Claude (1840-1926)
    Umfang: 1 online resource (189 pages), illustrations
    Bemerkung(en):

    Description based on print version record
  3. Claude Monet, free thinker
    radical republicanism, Darwin's science, and the evolution of impressionist aesthetics
    Autor*in: Call, Michael J.
    Erschienen: [2015]
    Verlag:  Peter Lang, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781433130809; 9781453915943; 1433130807
    Weitere Identifier:
    9781433130809
    DDC Klassifikation: Malerei, Gemälde (750)
    Schriftenreihe: Array ; Array
    Schlagworte: Monet, Claude; Freidenker; Republikanismus; Darwinismus; Rezeption; Monet, Claude; Ästhetik; Impressionismus
    Umfang: xii, 175 Seiten, Illustrationen, 23 cm, 390 g
    Bemerkung(en):

    Literaturverzeichnis: Seite [165]-167
  4. Claude Monet, Free Thinker
    Radical Republicanism, Darwin's Science, and the Evolution of Impressionist Aesthetics
    Autor*in: Call, Michael J.
    Erschienen: [2015]
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive social agenda, and fierce anticlericalism. His efforts to create a style reflecting his personal political code led him to produce paintings proclaimed by like-minded free thinkers as «a science being constantly perfected» (Gustave Geffroy), that is, emphasizing only observable phenomena in the immediate present through scrupulous, insistent on-site observation, capturing the raw data of sensations and sensory experience, and purporting to record a world free of embedded meaning. Darwin’s world similarly comes with no prepackaged reassurance of humankind’s privileged place in it; it is instead a space in which all varieties of organisms and species compete for limited resources in a struggle for survival. The Darwinian model of nature appears to have influenced Monet’s artistic production increasingly as his style evolved over several decades. In opposition to post-Renaissance art that privileged the human presence in both representation and the viewing act, Monet’s later paintings create a sense of virtual and visual equality among all observable phenomena. The human – and the viewer, by extension – is thus represented as neither separate from nature as a disengaged observer nor superior to it but rather co-equal with all other organic life forms surrounding it. This approach, while echoing Darwin’s admiration of nature and its laws, also reminds humankind of its own fragility and the hard choices it must make to avoid extinction «Claude Monet was a free thinker and a secularist. Did such commitments matter to his painting? This is the question that Michael J. Call addresses through a close reading of the artist’s oeuvre. The result is a beautiful evocation, oftentimes lyrical, of Monet’s understanding of humankind’s place in time and nature.»(Philip Nord, Princeton University) Contents: The Triumph of Secularism – Republicanism and Science – Claude Monet, Free Thinker – A Scientific Style and Its Interpreters – The Demise of Anthropocentrism – Time and Mortality – The Search for Harmony – The Painted Garden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453915943
    Weitere Identifier:
    9781453915943
    RVK Klassifikation: LI 60700
    Schriftenreihe: American University Studies ; 40
    Schlagworte: Monet, Claude; Freidenker; Republikanismus; ; Darwinismus; Rezeption; Monet, Claude; Ästhetik; Impressionismus; ; Monet, Claude; Freidenker; Republikanismus; Impressionismus; Ästhetik;
    Umfang: 1 Online-Ressource (xii, 175 Seiten)
  5. Claude Monet, Free Thinker
    Autor*in: Call, Michael J.
    Erschienen: 2015
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive social agenda, and fierce anticlericalism. His efforts to create a style reflecting his personal political code led him to produce paintings proclaimed by like-minded free thinkers as «a science being constantly perfected» (Gustave Geffroy), that is, emphasizing only observable phenomena in the immediate present through scrupulous, insistent on-site observation, capturing the raw data of sensations and sensory experience, and purporting to record a world free of embedded meaning. Darwin’s world similarly comes with no prepackaged reassurance of humankind’s privileged place in it; it is instead a space in which all varieties of organisms and species compete for limited resources in a struggle for survival. The Darwinian model of nature appears to have influenced Monet’s artistic production increasingly as his style evolved over several decades. In opposition to post-Renaissance art that privileged the human presence in both representation and the viewing act, Monet’s later paintings create a sense of virtual and visual equality among all observable phenomena. The human – and the viewer, by extension – is thus represented as neither separate from nature as a disengaged observer nor superior to it but rather co-equal with all other organic life forms surrounding it. This approach, while echoing Darwin’s admiration of nature and its laws, also reminds humankind of its own fragility and the hard choices it must make to avoid extinction. «Claude Monet was a free thinker and a secularist. Did such commitments matter to his painting? This is the question that Michael J. Call addresses through a close reading of the artist’s oeuvre. The result is a beautiful evocation, oftentimes lyrical, of Monet’s understanding of humankind’s place in time and nature.» (Philip Nord, Princeton University)...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453915943
    Weitere Identifier:
    DDC Klassifikation: Malerei, Gemälde (750)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: American University Studies ; 40
    Schlagworte: Freidenker; Republikanismus; Darwinismus; Rezeption; Ästhetik; Impressionismus
    Weitere Schlagworte: Monet, Claude (1840-1926)
    Umfang: 1 Online-Ressource
  6. Claude Monet, Free Thinker
    Radical Republicanism, Darwin's Science, and the Evolution of Impressionist Aesthetics
    Autor*in: Call, Michael J.
    Erschienen: [2015]
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    This revolutionary interdisciplinary study argues that Monet’s artistic practices and choices were the direct result of his political stance as a nineteenth-century libre penseur, a position characterized by radical republicanism, a progressive social agenda, and fierce anticlericalism. His efforts to create a style reflecting his personal political code led him to produce paintings proclaimed by like-minded free thinkers as «a science being constantly perfected» (Gustave Geffroy), that is, emphasizing only observable phenomena in the immediate present through scrupulous, insistent on-site observation, capturing the raw data of sensations and sensory experience, and purporting to record a world free of embedded meaning. Darwin’s world similarly comes with no prepackaged reassurance of humankind’s privileged place in it; it is instead a space in which all varieties of organisms and species compete for limited resources in a struggle for survival. The Darwinian model of nature appears to have influenced Monet’s artistic production increasingly as his style evolved over several decades. In opposition to post-Renaissance art that privileged the human presence in both representation and the viewing act, Monet’s later paintings create a sense of virtual and visual equality among all observable phenomena. The human – and the viewer, by extension – is thus represented as neither separate from nature as a disengaged observer nor superior to it but rather co-equal with all other organic life forms surrounding it. This approach, while echoing Darwin’s admiration of nature and its laws, also reminds humankind of its own fragility and the hard choices it must make to avoid extinction «Claude Monet was a free thinker and a secularist. Did such commitments matter to his painting? This is the question that Michael J. Call addresses through a close reading of the artist’s oeuvre. The result is a beautiful evocation, oftentimes lyrical, of Monet’s understanding of humankind’s place in time and nature.»(Philip Nord, Princeton University) Contents: The Triumph of Secularism – Republicanism and Science – Claude Monet, Free Thinker – A Scientific Style and Its Interpreters – The Demise of Anthropocentrism – Time and Mortality – The Search for Harmony – The Painted Garden

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453915943
    Weitere Identifier:
    9781453915943
    RVK Klassifikation: LI 60700
    Schriftenreihe: American University Studies ; 40
    Schlagworte: Monet, Claude; Freidenker; Republikanismus; ; Darwinismus; Rezeption; Monet, Claude; Ästhetik; Impressionismus; ; Monet, Claude; Freidenker; Republikanismus; Impressionismus; Ästhetik;
    Umfang: 1 Online-Ressource (xii, 175 Seiten)