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  1. Shakespeare's tragedies reviewed
    a spectator's role
    Autor*in: Richmond, Hugh M.
    Erschienen: 2015; © 2015
    Verlag:  Peter Lang, New York, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781433129193; 9781453914809
    Schriftenreihe: Studies in Shakespeare ; Volume 22
    Schlagworte: Theater audiences; Tragödie; Publikum; Theater
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Description based on print version record
  2. Shakespeare’s Tragedies Reviewed
    A Spectator’s Role
    Autor*in: Richmond, Hugh M.
    Erschienen: [2015]
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle’s second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays’ counter-movements to tragic tones, and to scripts’ contrasting positive factors to common downbeat interpretations – such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare’s Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies Contents: The Spectator and the Dramatists – Renaissance Dramaturgy – Richard III as «a Tragedy with a Happy Ending» – A Spectator’s View of Shakespeare’s Romeo and Juliet and Lope de Vega’s Castelvines y Monteses – Interlude: Mixed Modes Throughout Shakespeare – Julius Caesar and Neoclassicism 59 – Hamlet: The Spectator as Detective – Othello: Iago’s Audience – Macbeth: Satisfying the Spectator – Coriolanus: The Spectator and Aristotelianism – Enjoying King Lear – Antony and Cleopatra: Comical/Historical/Tragical – Cymbelene as Resolution: Tragical-Comical-Historical-Pastoral – Henry VIII and The Two Noble Kinsmen

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453914809
    Weitere Identifier:
    9781453914809
    RVK Klassifikation: HI 3421
    Schriftenreihe: Studies in Shakespeare ; 22
    Schlagworte: Shakespeare, William; Tragödie; Theater; Publikum;
    Umfang: 1 Online-Ressource (XIII, 207 Seiten)
  3. Shakespeare’s Tragedies Reviewed
    A Spectator’s Role
    Autor*in: Richmond, Hugh M.
    Erschienen: 2015
    Verlag:  Peter Lang Publishing Inc., New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  4. Shakespeare’s Tragedies Reviewed
    Autor*in: Richmond, Hugh M.
    Erschienen: 2015
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle’s second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays’ counter-movements to tragic tones, and to scripts’ contrasting positive factors to common downbeat interpretations – such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare’s Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies. «All in all, Richmond’s claim to offer a new perspective on the Italian-English cultural dialogue during the Renaissance and its contribution to intellectual history provides fresh insights into an exciting field.»(Sonja Fielitz, Archiv für das Studium der neueren Sprachen und Literaturen 255/2018)...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453914809
    Weitere Identifier:
    DDC Klassifikation: Bühnenkunst (792); Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Studies in Shakespeare ; 22
    Schlagworte: Tragödie; Theater; Publikum
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource
  5. Shakespeare’s Tragedies Reviewed
    A Spectator’s Role
    Autor*in: Richmond, Hugh M.
    Erschienen: [2015]
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    Shakespeare’s Tragedies Reviewed explores how the recognition of spectator interests by the playwright has determined the detailed character of Shakespeare tragedies. Utilizing Shakespeare’s European models and contemporaries, including Cinthio and Lope de Vega, and following forms such as Aristotle’s second, more popular style of tragedy (a double ending of punishment for the evil and honor for the good), Hugh Macrae Richmond elicits radical revision of traditional interpretations of the scripts. The analysis includes a major shift in emphasis from conventionally tragic concerns to a more varied blend of tones, characterizations, and situations, designed to hold spectator interest rather than to meet neoclassical standards of coherence, focus, and progression. This reinterpretation also bears on modern staging and directorial emphasis, challenging the relevance of traditional norms of tragedy to production of Renaissance drama. The stress shifts to plays’ counter-movements to tragic tones, and to scripts’ contrasting positive factors to common downbeat interpretations – such as the role of humor in King Lear and the significance of residual leadership in the tragedies as seen in the roles of Malcolm, Edgar, Cassio, and Octavius, as well as the broader progressions in such continuities as those within Shakespeare’s Roman world from Julius Caesar and Antony and Cleopatra to Cymbeline. It becomes apparent that the authority of the spectator in such Shakespearean titles as What You Will and As You Like It may bear meaningfully on interpretation of more plays than just the comedies Contents: The Spectator and the Dramatists – Renaissance Dramaturgy – Richard III as «a Tragedy with a Happy Ending» – A Spectator’s View of Shakespeare’s Romeo and Juliet and Lope de Vega’s Castelvines y Monteses – Interlude: Mixed Modes Throughout Shakespeare – Julius Caesar and Neoclassicism 59 – Hamlet: The Spectator as Detective – Othello: Iago’s Audience – Macbeth: Satisfying the Spectator – Coriolanus: The Spectator and Aristotelianism – Enjoying King Lear – Antony and Cleopatra: Comical/Historical/Tragical – Cymbelene as Resolution: Tragical-Comical-Historical-Pastoral – Henry VIII and The Two Noble Kinsmen

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453914809
    Weitere Identifier:
    9781453914809
    RVK Klassifikation: HI 3421
    Schriftenreihe: Studies in Shakespeare ; 22
    Schlagworte: Shakespeare, William; Tragödie; Theater; Publikum;
    Umfang: 1 Online-Ressource (XIII, 207 Seiten)