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  1. Corneille's Horace and David's Oath of the Horatii
    a chapter in the politics of gender in art
    Autor*in: Gutwirth, Madelyn
    Erschienen: c2011
    Verlag:  Peter Lang, New York

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453907955
    RVK Klassifikation: IF 7105
    Schriftenreihe: Currents in comparative Romance languages and literatures ; v. 191
    Schlagworte: Horatii (Legendary characters); Gender identity in art; Gender identity in literature; Geschlechterverhältnis <Motiv>
    Weitere Schlagworte: Corneille, Pierre (1606-1684): Horace; David, Jacques Louis (1748-1825); David, Jacques Louis (1748-1825): Schwur der Horatier; Corneille, Pierre (1606-1684): Horace
    Umfang: xv, 102 p.
    Bemerkung(en):

    Includes bibliographical references (p. [95]-98) and index

    Horace and the war of the sexes -- Sorting out gender in the age of sensibility -- Jacques-Louis David's Oath of the Horatii
  2. Corneille's «Horace» and David's «Oath of the Horatii»
    A Chapter in the Politics of Gender in Art
    Autor*in: Gutwirth, Madelyn
    Erschienen: 2012; ©2011
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453907955
    Weitere Identifier:
    9781453907955
    RVK Klassifikation: IF 7105
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Geschlechterverhältnis <Motiv>
    Weitere Schlagworte: David, Jacques Louis (1748-1825): Schwur der Horatier; Corneille, Pierre (1606-1684): Horace
    Umfang: 1 Online-Ressource (118 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    This book views Jacques-Louis David's pre-Revolutionary Oath of the Horatii as the realization of political and cultural gender struggle and goes back to antiquity and to Pierre Corneille's seventeenth-century play Horace to trace major antecedents of David's work. The play begins with Livy's account of gender strife in the Roman family of the Horatians. As Horace returns from battle against Alba, he is bitterly reproached by his sister Camille for slaying her Alban fiancé. Outraged, Horace kills her and is subsequently tried by the Roman state and freed. Corneille's 1640 version of the tale, Horace, appeared during the regency of Queen Anne of Austria, a time that favored the emergence of proto-feminist literature. Written in this atmosphere, Camille plays a powerful role: she thunderously denounces war and state power. Alas, this pro-woman ambiance did not last. As eighteenth-century France's sense of moral crisis rose, gender relations became more embattled. The greater presence of women in society evoked a reaction toward gender separation, as medical theorists circumscribed women's «nature» within sexual and maternal roles. As hysteria and the vapors became common female afflictions, Enlightenment philosophes puzzled over the paradox of women's condition. The conflict over «effeminate» rococo and «masculine» neo-classical art illustrates these tensions. David's milieu embraced a severer Roman, less feminocentric aesthetic. His preparatory sketches for The Oath exhibit hesitation as to how to frame his version of the story, but his final work diminishes women's stature, not only in the myth, but for the revolutionary generation's conceptualization of the republic. The work's huge impact reinforced a gender history in which women's place in the modern state was decisively relegated to its margins
  3. Corneille’s Horace and David’s Oath of the Horatii
    A Chapter in the Politics of Gender in Art
    Autor*in: Gutwirth, Madelyn
    Erschienen: 2012
    Verlag:  Peter Lang Publishing Inc., New York

    Export in Literaturverwaltung   RIS-Format
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  4. Corneille’s «Horace» and David’s «Oath of the Horatii»
    Autor*in: Gutwirth, Madelyn
    Erschienen: 2012
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    This book views Jacques-Louis David’s pre-Revolutionary Oath of the Horatii as the realization of political and cultural gender struggle and goes back to antiquity and to Pierre Corneille’s seventeenth-century play Horace to trace major antecedents... mehr

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    Standort:
    Universitätsbibliothek Gießen
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    This book views Jacques-Louis David’s pre-Revolutionary Oath of the Horatii as the realization of political and cultural gender struggle and goes back to antiquity and to Pierre Corneille’s seventeenth-century play Horace to trace major antecedents of David’s work. The play begins with Livy’s account of gender strife in the Roman family of the Horatians. As Horace returns from battle against Alba, he is bitterly reproached by his sister Camille for slaying her Alban fiancé. Outraged, Horace kills her and is subsequently tried by the Roman state and freed. Corneille’s 1640 version of the tale, Horace, appeared during the regency of Queen Anne of Austria, a time that favored the emergence of proto-feminist literature. Written in this atmosphere, Camille plays a powerful role: she thunderously denounces war and state power. Alas, this pro-woman ambiance did not last. As eighteenth-century France’s sense of moral crisis rose, gender relations became more embattled. The greater presence of women in society evoked a reaction toward gender separation, as medical theorists circumscribed women’s «nature» within sexual and maternal roles. As hysteria and the vapors became common female afflictions, Enlightenment philosophes puzzled over the paradox of women’s condition. The conflict over «effeminate» rococo and «masculine» neo-classical art illustrates these tensions. David’s milieu embraced a severer Roman, less feminocentric aesthetic. His preparatory sketches for The Oath exhibit hesitation as to how to frame his version of the story, but his final work diminishes women’s stature, not only in the myth, but for the revolutionary generation’s conceptualization of the republic. The work’s huge impact reinforced a gender history in which women’s place in the modern state was decisively relegated to its margins.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453907955
    Weitere Identifier:
    RVK Klassifikation: IF 7105
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Currents in Comparative Romance Languages and Literatures ; 191
    Umfang: 1 Online-Ressource