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  1. Migrant form
    anti-colonial aesthetics in Joyce, Rushdie, and Ray
    Erschienen: c2010
    Verlag:  Peter Lang, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781433105036; 9781453900482
    Schriftenreihe: Postcolonial studies (New York, N.Y.) ; v. 4
    Postcolonial studies ; v. 4
    Schlagworte: Ästhetik; Commonwealth fiction (English); Postcolonialism in literature; Aesthetics in literature; Postcolonialism in motion pictures; Nationalism in motion pictures; Antikolonialismus <Motiv>; Poetik
    Weitere Schlagworte: Joyce, James (1882-1941); Rushdie, Salman; Ray, Satyajit (1921-1992); Ray, Satyajit (1921-1992); Rushdie, Salman (1947-); Joyce, James (1882-1941)
    Umfang: x, 169 p
    Bemerkung(en):

    Includes bibliographical references (p. [157]-164) and index

  2. Migrant Form
    Anti-colonial Aesthetics in Joyce, Rushdie and Ray
    Erschienen: 2011; ©2010
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Bayerische Staatsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900482
    Weitere Identifier:
    9781453900482
    RVK Klassifikation: HM 3135 ; HN 7649 ; HP 1110 ; HQ 6999
    Auflage/Ausgabe: 1st, New ed
    Schlagworte: Antikolonialismus <Motiv>; Poetik
    Weitere Schlagworte: Joyce, James (1882-1941); Rushdie, Salman (1947-); Ray, Satyajit (1921-1992)
    Umfang: 1 Online-Ressource (179 Seiten)
    Bemerkung(en):

    Online resource; title from title screen (viewed June 10, 2019)

    Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger)

  3. Migrant form
    anti-colonial aesthetics in Joyce, Rushdie, and Ray
    Erschienen: ©2010
    Verlag:  Peter Lang, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900482; 1453900489; 1433105039; 9781433105036
    Schriftenreihe: Postcolonial studies ; v. 4
    Schlagworte: Commonwealth fiction (English) / History and criticism; Postcolonialism in literature; Aesthetics in literature; Postcolonialism in motion pictures; Nationalism in motion pictures; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Aesthetics / (OCoLC)fst00798702; Aesthetics in literature / (OCoLC)fst00798734; Commonwealth fiction (English) / (OCoLC)fst00869848; Nationalism in motion pictures / (OCoLC)fst01033901; Postcolonialism in literature / (OCoLC)fst01073035; Postcolonialism in motion pictures / (OCoLC)fst01904327
    Weitere Schlagworte: Joyce, James / 1882-1941 / Aesthetics; Rushdie, Salman / Aesthetics; Ray, Satyajit / 1921-1992 / Aesthetics; Joyce, James / 1882-1941 / Aesthetics / Aesthetics / Aesthetics; Rushdie, Salman / Aesthetics / Aesthetics / Aesthetics; Ray, Satyajit / 1921-1992 / Aesthetics / Aesthetics / Aesthetics; Joyce, James / 1882-1941 / (OCoLC)fst00035968; Ray, Satyajit / 1921-1992 / (OCoLC)fst00048430; Rushdie, Salman / (OCoLC)fst00063803
    Umfang: 1 online resource (x, 169 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 157-164) and index

    Table of Contents; Acknowledgments ix; Part One; Introduction: Colonial Aesthetics and Migrant Form 1; Part Two; "A Thewless Body": Sovereignty, Decorum, and Partiality in Ulysses 19; Defiance by Deflection: The Simulation of Nonsense by Finnegans Wake 43; Portmanteau Revisions: A Formal Model for Postcolonialism 67; Part Three; Dismantling Narcissism: The Inside and the Outside in Midnight's Children 79; The Jolt of the Grotesque: Aesthetics as Ethics in The Satanic Verses 97; Part Four; Embroidered Translations: Satyajit Ray's Charulata 119

    A Dangerous Courtesy: Wanderlust and Metonymy in Agantuk (The Stranger) 137Conclusion; Picturing the Nation: Picturing Migration 153; Works Cited 157; Index 165

  4. Migrant Form
    Anti-colonial Aesthetics in Joyce, Rushdie and Ray
  5. Migrant Form
    Erschienen: 2011
    Verlag:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through... mehr

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    Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight’s Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray’s earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger).

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900482
    Weitere Identifier:
    RVK Klassifikation: HM 3135 ; HN 7649 ; HP 1110 ; HQ 6999
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Postcolonial Studies ; 4
    Schlagworte: Antikolonialismus <Motiv>; Poetik
    Weitere Schlagworte: Joyce, James (1882-1941); Rushdie, Salman (1947-); Ray, Satyajit (1921-1992)
    Umfang: 1 Online-Ressource
  6. Migrant form
    anti-colonial aesthetics in Joyce, Rushdie, and Ray
    Erschienen: 2010
    Verlag:  Peter Lang, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900482; 1453900489; 1433105039; 9781433105036
    RVK Klassifikation: HM 3135 ; HN 7649 ; HP 1110 ; HQ 6999
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schriftenreihe: Postcolonial studies ; v. 4
    Schlagworte: Antikolonialismus <Motiv>; Poetik
    Weitere Schlagworte: Joyce, James (1882-1941); Rushdie, Salman (1947-); Ray, Satyajit (1921-1992)
    Umfang: 1 Online-Ressource (x, 169 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 157-164) and index