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  1. Does it really mean that?
    interpreting the literary ambiguous
    Erschienen: 2011
    Verlag:  Cambridge Scholars, New Castle upon Tyne

    However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity-which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or... mehr

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    Hochschule Aalen, Bibliothek
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    However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity-which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or is, where it can be found, to what purposes it can be put, including questions of whether it is a positive or negative factor. But this, of course, is not a new phenomenon. Writers have always depended on equivocation, multiplicity of meaning, uncertainty of meaning-deliberate mystification one might say. Language itself is the base of ambiguity not pt. 1. Medieval literature -- pt. 2. British literature -- pt. 3. American literature -- pt. 4. Theoretical applications.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781443827492; 1443827495
    Schlagworte: English literature; Ambiguity in literature; English literature; Ambiguity in literature; English literature; Criticism, interpretation, etc; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh
    Umfang: Online Ressource (vi, 247 pages)
    Bemerkung(en):

    Includes bibliographical references

  2. Does it really mean that?
    interpreting the literary ambiguous
    Erschienen: 2011
    Verlag:  Cambridge Scholars, New Castle upon Tyne

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781443826617; 9781443827492
    Schlagworte: Ambiguity in literature; English literature; Ambiguität; Literatur
    Umfang: vi, 247 p
    Bemerkung(en):

    Includes bibliographical references

    pt. 1. Medieval literature -- pt. 2. British literature -- pt. 3. American literature -- pt. 4. Theoretical applications

  3. Does it really mean that?
    interpreting the literary ambiguous
    Erschienen: 2011
    Verlag:  Cambridge Scholars, New Castle upon Tyne

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1443826618; 1443827495; 9781443826617; 9781443827492
    Schlagworte: Ambiguity in literature; English literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Ambiguity in literature; English literature; Literatur; Ambiguität
    Umfang: 1 Online-Ressource (vi, 247 pages)
    Bemerkung(en):

    Includes bibliographical references

    pt. 1. Medieval literature -- pt. 2. British literature -- pt. 3. American literature -- pt. 4. Theoretical applications

  4. Does It Really Mean That? Interpreting the Literary Ambiguous.
    Autor*in: Dubs, Kathleen
    Erschienen: 2011; ©2011.
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne

    However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity-which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or... mehr

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    However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity-which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or is, where it can be found, to what purposes it can be put, including questions of whether it is a positive or negative factor. But this, of course, is not a new phenomenon. Writers have always depended on equivocation, multiplicity of meaning, unc... Intro -- TABLE OF CONTENTS -- INTRODUCTION -- PART I -- THE ROOD AND CHRISTIN OLD ENGLISH POETRY -- GOOD OR EVIL -- HARRY BAILLY -- PART II -- DOUBLE VISION -- ALAUGHING MATTER -OR WHO STOOPS TO CONQUER? DRAMATIC AMBIGUITIES AND AMBIGUOUS DRAMAS IN EIGHTEENTH CENTURY AND MODERN BRITISH THEATRE -- THE AMBIGUOUS IN CONTEMPORARY BRITISH PROSE -- AMBIGUOUS ALICE -- THE AMBIGUOUS PRESENCE OF THE EMPIRE AND THE NATION IN VIRGINIA WOOLF'S LATE NOVELS -- HYBRID BODIES - AMBIGUOUS IDENTITIES -- AN UNFEMININE FEMININE VOICE -- PART III -- CONJURING AMBIGUITY -- TIME AND FATE -- PART IV -- THE PARADOXICAL TRUTH OF LITERATURE AND GÖDEL'S FORMALLY UNDECIDABLE PROPOSITIONS -- AMBIGUITIES OF CRITICISM, OR THE FATE OF LITERATURE -- RHETORIC AND THE UNSTABLE WORLD -- CONTRIBUTORS.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Kaščăkovă, Janka (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781443827492
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Ambiguity in literature; English literature; Ambiguity in literature; English literature ; History and criticism; Electronic books
    Umfang: 1 online resource (253 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    TABLE OF CONTENTS; INTRODUCTION; PART I; THE ROOD AND CHRISTIN OLD ENGLISH POETRY; GOOD OR EVIL; HARRY BAILLY; PART II; DOUBLE VISION; ALAUGHING MATTER -OR WHO STOOPS TO CONQUER? DRAMATIC AMBIGUITIES AND AMBIGUOUS DRAMAS IN EIGHTEENTH CENTURY AND MODERN BRITISH THEATRE; THE AMBIGUOUS IN CONTEMPORARY BRITISH PROSE; AMBIGUOUS ALICE; THE AMBIGUOUS PRESENCE OF THE EMPIRE AND THE NATION IN VIRGINIA WOOLF'S LATE NOVELS; HYBRID BODIES - AMBIGUOUS IDENTITIES; AN UNFEMININE FEMININE VOICE; PART III; CONJURING AMBIGUITY; TIME AND FATE; PART IV

    THE PARADOXICAL TRUTH OF LITERATURE AND GÖDEL'S FORMALLY UNDECIDABLE PROPOSITIONSAMBIGUITIES OF CRITICISM, OR THE FATE OF LITERATURE; RHETORIC AND THE UNSTABLE WORLD; CONTRIBUTORS;